迷失Z城

剧情片美国2016

主演:查理·汉纳姆,罗伯特·帕丁森,西耶娜·米勒,汤姆·赫兰德,爱德华·阿什利,安古斯·麦克菲登,伊恩·麦克迪阿梅德,克莱夫·弗朗西斯,马修·桑德兰,亚历山大·约瓦诺维奇,叶莲娜·索洛维,鲍比·斯莫德里奇

导演:詹姆斯·格雷

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更新时间:2024-05-12 04:21

详细剧情

  英国探险家珀西·福斯特(查理·汉纳姆 Charlie Hunnam 饰)深入神秘的南美洲亚马逊丛林探险,竟发现未知的文明生活迹象,他回到英国公开这个意义深远的重大发现,却被当成笑话嘲弄,没有人愿意相信他的话。在爱妻尼娜(西耶娜·米勒 Sienna Miller 饰)无怨无悔的支持下,福斯特决心带领儿子杰克(汤姆·霍兰德 Tom Holland 饰)重返亚马逊丛林,寻找古文明存在的证据,一行人却离奇消失,从此再无任何音讯,成为史上最神秘又悬疑的失踪事件。

 长篇影评

 1 ) 真英雄不該有真票房

个人评分: 4.5分

個人很喜歡

通常“英雄”是一個電影類型,但認真甩出一個真實存在的英雄來,愛好者們往往都很失望。因為他們需要的是視覺、聽覺裡的“英雄”的陪伴,遠非實打實引發代入和想像的活人。

觀眾的“奶頭”是青樓、毒品、遊戲,以及電影。川端康成、海子、海明威的自殺並不會且永遠也不可能會阻擋、阻礙乃至略微抵消下大眾對奶頭的依賴。所以不太符合“奶頭”的作品通常票房、銷量不佳。

傳記電影、音樂電影、體育電影、特殊身份電影。從社會學、人文主義、電影史學講都是值得、需要,乃至必須去拍的類型。但在此之前有個更大的前提:市場規律。電影只是市場的一隻前帆,類型片不過帆上風一股。當電影之船才啟航遠未進入深水區時,最需要的水面、指南針、不出問題的船體和船員。只有當船足夠大、行駛足夠遠、經歷足夠多以後,才有能力、眼力、體力捕捉到每一縷新風。

那時,真實的英雄就不再使你畏懼,讓你抽離,害你莫名其妙。

那時,你所在的城市的票房構成也會與現在大不相同。

 2 ) 真实故事中,最后一次探险他们遭遇了什么?

很多人聊得更多的是电影删减了37分钟,明明是PG-13,但是却惨遭截肢性质的删减。

目前还没有官方回应为何这么做。但大聪坚决抵制因为排片而导致删减,这是亵渎电影最严重的方式,没有之一。

我始终相信,人类基因里面是有分类的。

有些人天生热爱音乐。

有些人只想静静的写作。

有些人追求权力。

有些人则寻求冒险。

而冒险绝对存在于一些人的血液里,基因里,就像《迷失Z城》的男主角查理。

《迷失Z城》是根据真实故事改编,基于纽约客作家大卫.格兰的《迷失Z城:亚马逊致命痴迷的故事》

电影中的角色和真实故事的人物都进行了改动。

主人公原名叫泊西.福西特。另外其他角色在真实事件中都有原型。

有趣的是,本来影片是由卷福担任男主角,因为制片方觉得卷福和真实人物泊西更神似。但由于档期问题,卷福无缘《迷失Z城》。

在真实人物中,泊西从皇家炮兵离职后,成为英国特情局的成员,他作为北非间谍,做一些勘探地理和绘图的工作。

不过他可不像007的詹姆斯邦德,他更像是卢卡斯镜头下的印第安纳琼斯。

不过乔治卢卡斯反而在采访时说,他创造的印第安纳琼斯灵感正是来自由这位1925年冒险的泊西。

那么泊西当时为什么这么着迷于去亚马逊寻找遗落的城市文明呢?

前面我们说到了,他是英国特情局的一员,工作原因他开始发现亚马逊有很多历史悠久的陶制品,以及在丛林中发现一些所谓的直线道路。

而且泊西还在1920年时候确实找到了一份叫手稿512的文件,是一位西班牙猎人写的,后来留在了卢旺达国家图书馆。

在这份手稿中写到,1753年他发现了一座古城,有雕像有神庙,以及一些象形文件。

按照这样的陈述,真的看到古城的人并不是泊西,而波西只是主动寻找古城的人。

因此很多证据让泊西断定,亚马逊可能存在遗落的文明。

而当时一战结束不久,很多西方学者想极力证明,一个与世隔绝的理想文明,曾经出现存在过,和一战残忍的道行形成鲜明对比,让人类通过找到失落文明重新认识这个世界。提升整个世界的价值观。

但也有一些学者担心找到这个文明之后,对殖民地和西方国家造成负面影响。

因为如果真的亚马逊存在遗落文明,这就证明在南美洲曾经有繁荣的帝国文明,而且并没有受到西方文明的影响。

所以有些人会担心,会威胁到对其殖民地的统治和管理。

在真实故事里,他们一共进去亚马逊探险八次,而不是电影中的三次。

而亚马逊的占地面积是非常大的,被誉为地球之肺。

在当时1925年的条件,泊西的团队装备科技都有限,一天甚至只能前进不到1公里路。亚马逊很多丛林密不透风,非常危险。

在他们最后一次探险中,在当时得到了最大程度的曝光,很多报社报道为:这是人类最大一次探险或送。

而在探险中,他们最大的问题并不是环境因素,而是内部的叛变,甚至他的儿子为了回家做明星,也和父亲起了很大的争执。

但事与愿违,最后一次探险,泊西没有离开亚马逊。

那在最后的探险中,泊西他们到底发生了什么呢?是否真的像电影中的那样?

为了还原真相,纽约客作家大卫在写这篇报道的时候,2005年亲自去了亚马逊考察,试图跟随波西团队最后的路线。

大卫他们后来找到了一个叫Kalapalo的部落,在那个部落大卫得到了重要的信息,据这个部落的口口相传的一段故事,这个部落曾经有一对白色人种的冒险家造访过,因为时间久远,所以成为了这个部落的口述历史。

在当时这一队白色人种冒险团队造访的时候,探险队带来了很多外界的食物,让部落的小孩子很高兴,其中就有一位7岁的小女孩,探险队一位队员送给她一条项链。

不过当时部落拒绝外来的任何物品,他们认为这些东西都受到过诅咒。因此当时那条项链小女孩等他们离开的时候,扔掉了。

因此唯一的证据,也就无从考证。只能根据时间的先后去做判断。

在2005年大卫采访他们部落的时候,那位小女孩已经成为一位老人,也成为这个部落唯一的见证人。

那位老妇人回忆,在当时Kalapalo部落的人还警告过他们,不要再往东边继续前行了,因为那里有一个部落非常的危险,有可能会丧命。

但是这些警告被泊西探险团队理所当然的忽视了,不然怎么称之为探险队呢。他们为了找到遗失的文明当然会选择前行,于是他们便出事了。

在泊西他们出事以后,支持这个探险队的财团们为了找到原因,还曾经多次拍出团队去搜救,前后还因为搜救泊西,100多人丧命在亚马逊。可想而知在当时,亚马逊丛林深处还是非常危险的。

其实到现在,亚马逊丛林依然是非常危险的一个地方。

事到如今,这个探险队事件已经离我们很久远了,那么以现在的科技水平,是否证实亚马逊丛林真的有遗落文明呢?

答案是有。

目前大部分证据表明,有一个叫做KUHIKUGU的巨大古老文明,这个遗址已经离泊西他们探险的路线很接近了。

或许也有这个可能,泊西他们已经找到了这个遗址,可是在找到之后他们不幸遇难了。

那么这个曾经辉煌的文明为何突然终结,考古学家认为这和殖民有关。在西班牙十六世纪抵达南美之后,还带来了疾病。

而当地的土著人并没有任何免疫力抵抗这种疾病,相继死去。文明就此结束。

这和当时英国人登陆美国大陆时候一样,很多人说印第安人是被美国人杀害的,这是现在美国人想擦都擦不掉的一个历史。

但其实在美国大陆的印第安人,90%是因为当时美国人抵达时带来了新的疾病,印第安人没有任何抵抗力,被疾病害死的。

*资料搜集选自维基百科以及大卫.格兰在科学博物馆的一次演讲*

《大聪看电影》公众号,不追求跑量,只研磨精品。

 3 ) 都在说这个电影和传记和实际出入很大

The Lost City of Z is a very long way from a true story — and I should know
A new Hollywood film hypes Percy Fawcett as a great explorer. In fact, he was a racist incompetent who achieved very little

The new film The Lost City of Z is being advertised as based on the true story of one of Britain’s greatest explorers. It is about Lt-Col Percy Fawcett. Greatest explorer? Fawcett? He was a surveyor who never discovered anything, a nutter, a racist, and so incompetent that the only expedition he organised was a five-week disaster. Calling him one of our greatest explorers is like calling Eddie the Eagle one of our greatest sportsmen. It is an insult to the huge roster of true explorers. Had the advertisement been about a soap powder, it would fall foul of the Trade Descriptions Act.

Percy Fawcett joined the army immediately after school, with a commission in the artillery in 1886. The next 20 years involved garrison duty in Ceylon and postings in Malta and England. The only significant events were getting married and becoming a devotee (like many others) of the charlatan psychic Madame Blavatsky. Fawcett’s game-changer came in 1906, when he was 40. The army let him take the Royal Geographical Society’s course on frontier surveying. Far away in South America, Bolivia had just sold its rubber-rich province of Acre to Brazil, so it needed its new north-western boundary mapped. The Bolivians approached the RGS for a mature surveyor to do this. The society’s secretary asked the newly qualified Fawcett whether he wanted to go; he accepted, reported for duty in La Paz and was at work on the new Amazonian frontier by the end of the year. This survey was the best thing Fawcett did. But he described it as boring, because the new frontier was all along rivers. This was the height of the great Amazon rubber boom, so he and his team cruised from one comfortable rubber barraca to the next, taking their regular measurements.

Fawcett’s only publications were a series of papers in the Geographical Journal about his mapping work. But he kept a journal, and in 1953 his son Brian edited this and other papers into a book called Exploration Fawcett. He emerges from it as a typical Edwardian colonial officer — friendly with South Americans but looking down on them, appalled by the cruelty at some rubber stations, full of gossip about life on this remote but boom-rich backwater, and uninterested in nature apart from banalities about dangerous snakes and irritating insects.

In 1908, the Bolivians asked Fawcett to survey another of their frontiers with Brazil: a small river called Verde, far away at the north-eastern corner of the large landlocked country. The preparations were appalling. Fawcett took minimal supplies, since he was accustomed to being fed by rubber stations. This was the end of the dry season with the river at its lowest. So they soon had to abandon their boat and continue on foot. After only a week, all food was exhausted and they were really starving. Fawcett casually remarked that five out of his six peons died from the effects of this five-week disaster. This was the only expedition he led into unexplored territory.

The Bolivians invited Fawcett back in 1910, this time to map part of their boundary with Peru. It involved paddling up a frontier river called Heath and two meetings with indigenous peoples on the banks. The first group fired arrows and guns over their heads. But Fawcett waded ashore with presents and shouting a few words of ‘Chuncho’ (the Peruvian word for all forest peoples) that he had memorised but did not understand. That was the only time that Fawcett attempted any language other than Spanish. Further up the Heath river, Fawcett met a tribe he called Ecocha (now Ese Eja) whom he really liked. They were ‘embarrassingly hospitable’ with their food, so Fawcett spent a few days with them and recorded something of their ethnography. He returned for a second visit in 1911.

After a final survey for the Bolivian government in 1913, of the upper Beni river in the Andes, Fawcett went sightseeing in central Bolivia. He and two companions were paddled down the big Guaporé river. They stopped at Mequens on its Brazilian bank to visit the Swedish anthropologist Baron Erland Nordenskiöld and his attractive wife, who provided guides to take them on a walk inland to visit a people they called Maxubi (now Makurap). The Maxubi were friendly and hospitable, but continuing on a forest trail Fawcett met another tribe (probably Sakurabiat) to whom he took a violent dislike. When one aimed a drawn bow at him, Fawcett shot the man with a Mauser revolver — absolutely forbidden by Brazil’s Indian Service. He described them as he imagined Neanderthals or Piltdown Man to have looked: ‘large hairy men, with exceptionally long arms, and foreheads sloping back from pronounced eye ridges… villainous savages, hideous ape men with pig-like eyes.’ No Amazonian Indian has body hair or looks remotely like this — I know, because I have spent time with over 40 different peoples. These two groups, and the two on the Heath, were the only tribal people seen by Fawcett. He liked two of them. So it was strange that he wrote racist gibberish that ‘there are three kinds of Indians. The first are docile and miserable people, easily tamed; the second, dangerous, repulsive cannibals very rarely seen; the third, a robust and fair people, who must have a civilised origin.’

When Fawcett was in the cattle country of central Bolivia in September 1914, news came of the outbreak of war. So he hurried home and by January 1915 was back in the artillery. In his late forties, he was too old for frontline service; but he fought a good war, ending as Lieutenant-Colonel.

In one of his pre-war lectures to the RGS, Fawcett had spoken of possible ancient ruins in the Amazon forests. He was now told about a scrap of paper dated 1743 in which bandeirantes imagined that they had seen a deserted city in the jungles. (The bandeirantes were slavers who scoured the interior of Brazil for Indians to capture. Although most of these thugs were illiterate, others did write reports about their travels — none of which said a word about seeing ruins.) Fawcett gave this imaginary ‘lost city’ the codename Z, and finding it became an obsession.

The easiest forest tribes to visit in Brazil were on the headwaters of one of the Amazon’s southern tributaries, the Xingu. A German anthropologist had contacted a dozen amiable peoples there in 1884; and since then they had been visited by seven groups of anthropologists or Indian Service officials. All had walked in by the same trail. So in 1920 Fawcett tried to follow this route — even though it was nowhere near where the chimera city might have been. His plans went wrong, so he got no further than a ranch halfway along the trail. In 1921 he searched for the mythical city down on the Atlantic coast, by train inland from Salvador da Bahia; but, hardly surprisingly, the miners there knew nothing.

In 1925, by now penniless but desperate, Fawcett tried again to reach the upper Xingu tribes. He now took two inexperienced ex-public schoolboys, his son Jack and Jack’s friend Raleigh Rimmel. The old surveyor made two suicidal pronouncements. One was that the trio should travel light, with nothing more than small packs. Everyone in Amazonia knew that you could not cut trails and keep your team fed with fewer than eight men. (I can confirm this, having done months of such cutting and carrying.) But Fawcett sent their pack animals and porters back, and continued with only his two novices. His other dictum was that Indians would look after them. This was equally dangerous. The Xingu tribes pride themselves on generosity; but they expect visitors to reciprocate. All expeditions in the past four decades had brought plenty of presents such as machetes, knives and beads. Fawcett had none. He committed other blunders that antagonised their hosts. So it was only a matter of days before they were all dead.

Twenty years later, Chief Comatsi of the Kalapalo tribe gave a very detailed account of Fawcett’s visit, reminding his assembled people of exactly how they had killed the unwelcome strangers. But the German anthropologist Max Schmidt, who was there in 1926, thought that they had plunged into the forests, got lost and starved to death; this was also the view of a missionary couple called Young who were on another Xingu headwater. The Brazilian Indian Service regretted that Fawcett, who was obsessively secretive, had not asked for their help in dealing with the Indians. They felt he was killed because of the harshness and lack of tact that all recognised in him.

Such was the sad tale of this incompetent, whose only skill was in surveying. But the disappearance of an English colonel while searching for a mythical ancient city in tropical rain forests was a media sensation. Two expeditions went to try to learn more. There was revived interest in the 1950s with the publication of Exploration Fawcett and the Kalapalo chief’s account of how they killed the Englishmen. Then it was forgotten until 2009 when David Grann, a talented writer, published The Lost City of Z. Unfortunately, Grann hyped the story out of all proportion and wrongly depicted Fawcett as a great explorer.

As he cheerfully admitted, Grann had no experience of rainforests. But he let his imagination run riot, with pages about ferocious piranhas, huge anacondas, electric eels (actually a fish that has never killed a man), frogs ‘with enough toxins to kill 100 people’, ‘predator’ pig-like peccary, ‘sauba ants that could reduce the men’s clothes to threads in a single night, ticks that attached like leeches (another scourge) and the red hairy chiggers that consumed human tissue. The cyanide-squirting millipedes. The parasitic worms that caused blindness…’ and so on. Everyone who know tropical forests, including me, knows that almost every word of this is nonsense.

Fawcett himself gave a simple account of his four surveying journeys for the Bolivian government. But for Grann, ‘in expedition after expedition… he explored thousands of square miles of the Amazon and helped redraw the map of South America’. Fawcett admitted that he was ‘a greenhorn in the jungle’ and knew nothing about nature. But Grann wrote that he moved ‘inch by inch through the jungle, tracing rivers and mountains, cataloguing exotic species… [until] he had explored as much of the region as anyone’.

For Grann, Fawcett was competing against other explorers ‘who were racing into the interior of South America’. The only study that Fawcett made after leaving school in 1886 was his RGS surveying course. He never mentioned any library research. But for Grann he was ‘almost unique’ in viewing 16th- and 17th-century chronicles ignored by other scholars; he re–evaluated El Dorado chronicles and consulted ‘archival records’ and ‘tribesmen’ in ‘piecing together his theory of Z’. Not a word of this was true, either.

Grann wrote that, as an author, he would have been lost without my three-volume, 2,100-page history of Brazilian Indians and five centuries of exploration. He quotes quite often from my books. So he had no excuse for describing Fawcett’s brief visits to three indigenous villages as the ‘discovery of so many previously unknown Indians’, from whom ‘he learned to speak myriad indigenous languages’, and adopted ‘herbal medicines and native methods of hunting [so that he] was better able to survive off the land’. Equally absurd was his rubbish about cannibalistic tribes, blow guns with poisoned darts, or Kuikuro menacing him with ‘gleaming spears flickering’ from the undergrowth (they never used spears, or had metal even, before their contact 130 years ago).

When the colonel vanished, Grann writes that ‘scores’ of explorers tried to find him, and that ‘one recent estimate put the death toll from these expeditions as high as 100.’ Actually, only one search expedition reached the Xingu, led by George Dyott in 1928. (It found that the three Englishmen had been killed by Indians.) The only other expedition was in 1932, but it got only as far as the Araguaia river far to the east. The death toll from these two attempts was zero. In 1935 a ridiculous actor called Albert de Winton went by himself to the Xingu and was killed by Indians who wanted his gun. So if we count him, the death toll is one — well short of Grann’s 100.

These and a great many other passages are artistic licence and hype of an absurd order. Hollywood believed everything Grann wrote, and then hyped it up more. People wishing to learn about the maverick colonel should consult his own fairly modest memoir — not the recent fantasy book and film about him. But I could recommend scores of writings by real explorers.

John Hemming is a Canadian explorer; the three volumes of his history of Brazilian Indians are Red Gold (1978), Amazon Frontier (1985) and Die If You Must (2004)

 4 ) 《迷失Z城》背后的故事

《迷失Z城》于2017年4月在美国上映,由“亚瑟王” 查理·汉纳姆(Charlie Hunnam)、“暮光男”罗伯特·帕丁森(Robert Pattinson)主演。

Metacritic目前得分78,比《神奇女侠》分还要高:▼


《迷失Z城》导演是智商高达180的詹姆士·格雷(James Gray),他是美国知名独立电影导演。

1994年,25岁的格雷拍摄了导演处女作《小奥德萨》(1994),一举夺得威尼斯电影节银狮奖。

此后,格雷自编自导了四部电影:

-《家族情仇》(2000)

-《我们拥有夜晚》(2007)

-《两个情人》(2008)

-《移民》(2013)

四部电影均提名戛纳电影节金棕榈奖或最佳导演奖,其才气可见一斑。

詹姆士·格雷在《迷失Z城》现场指导


观看过《迷失Z城》的人,都会被其美轮美奂的浪漫古典主义摄影吸引。

《迷失Z城》的摄影师是达吕斯·康第(Darius Khondji),他是电影摄影届为数不多的老前辈。

达吕思·康第

康第的画面独特而有想法,色调并不锐利但足够丰富。他曾经拍摄过多部知名影片,多次提名奥斯卡最佳摄影:

-《七宗罪》(1995)

-《午夜巴黎》(2011)

-《贝隆夫人》(1996)

最近戛纳电影节上,《玉子》被提名金棕榈奖,其摄影也出自康第之手。

《午夜巴黎》(2001)

值得一提的是,这一次《迷失Z城》采用4K摄影技术和胶片摄影,尽力还原一个神秘的雨林世界,让我们有机会同主角一起完成冒险。

我们选用了35mm的胶片拍摄(迄今为止,我所有的电影都是如此),最后证明这种拍摄在丛林深处实在是太艰难了,我们不得不动用飞机运送这些胶卷到几千公里以外的地方去冲洗和剪辑,导致我们通常在一个星期后才能看到样片。不管怎样,我觉得环境的真实性还是值得我们这样做的。
——詹姆士·格雷

大荧幕观看4K,效果真的超赞超真实!深入雨林时,观众会感觉到自己仿佛也成为庞大雨林世界中一个微小的存在,特别有身临其境之感。

不知道是不是每个人都像我一样,小时候梦想到雨林去探索未知,如果曾经做过这样的梦,去电影院看这部电影准没错!

另外,康第在这部电影里非常喜欢用特写镜头,加上演员演技都在线,所以镜头每一次都能清晰捕捉到人物脸上显露的情感。


《迷失Z城》的故事由真人真事改编。第一次世界大战以后,探险家珀西·福塞特(Percy Fawcett)接受任务前往南美绘制地图。

在亚马逊丛林中,福塞特意外发现了人类文明的遗迹,他发现这个文明甚至比英国的历史还要悠久。

在我们这个时代,早已默认亚马逊雨林中原始人文化的存在,但那时人们都认为这是痴人说梦,很多人对福塞特冷嘲热讽。

于是,福塞特萌生了向世人证明这个文明存在的想法。

福塞特带着他对探险的渴望,背负着理想的重担,从此踏上探险之路,一而再再而三地返回雨林,探寻一个迷失的Z城。

在历史上,福塞特的结局仍然是一个谜。

有一说是他成为部落首领,从此生活在雨林之中,也有一说是福斯特父子被部落杀害。


《迷失Z城》并非传统的好莱坞冒险电影,它并不追求场面上的宏大与刺激,而更像是一个关于理想主义的传记故事。

当我读完大卫·格兰(David Grann)的小说后,我突然萌生了一个有趣的想法:呈现这个男人对于探索的渴望。他对于亚马逊文化的渴求使得他可以经受无法想象的考验、对科学团队的怀疑态度、可怕的背叛以及多年远离家人的孤寂。
——詹姆士·格雷

电影情节中最吸引人的地方,便是福塞特内心渴望的转变。他接受勘探任务的初心只是为了重振家族的名声,但到后期,他身上对于探索、对于未知的渴望一点点破土而出。

此时此刻,他愿意为了找到Z城付出一切代价。

女巫在占卜时,对福塞特说了这样一句话:This is your destiny.(这是你的宿命)

或许我们每个人冥冥之中都存在着一种宿命,只是我们缺少某种发现它的外部刺激,也缺少了誓死追寻的勇气。

所以《迷失Z城》真正吸引人的地方,并不在探险的过程,而在于精神,在于理想主义。

冒险故事每每吸引着我们,就是因为本性中的好奇心驱使着我们去探险,去走向未知,去披荆斩棘实现初心。

 5 ) 三顾雨林——稳扎稳打的古典剧作

5- 胶片摄影质感,三次亚马逊丛林探险经历为主体的古典原型叙事为家庭、上流社会和战场(西方文明重要三件套),三个充满冲突的国内的场景所串联,始终抓住主角的内心。特别好的剧本 游走于殖民时代末期的文明与野蛮之间,文明的野蛮是残酷的,而野蛮的文明是浪漫的。 原型叙事让影片集中于主角作为一个理想的西方探险者的视角: 从第一次为提升地位、完成任务却“无心插柳柳成荫”,听闻Z城的传说与一窥其文明踪迹 到第二次逼迫于在文明世界中证明自己的焦急再度前往,为一同前往的上级所妨碍而失败 再到第三次经受战争洗礼如愿升职,认清文明世界之野蛮后跟随心之所向,魂归丛林。 反过来从土著印第安人的角度来看这三次探险也很有意思,经历了视主角团为敌人到友人再到敌人的节奏变更,也反映着整个西方世界局势的动荡与殖民主义的消亡。 第一次对主角团的敌意源于先到一步的德国殖民军的侵占,土著眼里英国与德国人显然并无什么分别。此时的主角也作为英国的殖民军中的一份子,“成功征服”了此地,而德国派来的探险者仅剩一船一尸,可能在象征扩张殖民地过程中德国的滞后与不利,一战也由此酝酿。 第二次主角为证明自己与野蛮之文明而来,土著部落则友善地接纳了他。彼时一战前夕,各国专注于文明间的矛盾,无暇顾及远在南美的探险事业。文明的野蛮暂时擦去了在雨林的足迹,野蛮便对主角展现出了其所望的文明。

而第三次土著再度展现出了敌意,则是由于美国人武装齐备的“探险”。一战过去,曾作为欧洲殖民地的美国崛起成为文明世界的霸主,也开始试图将文明的足迹印在南美的亚马逊雨林。意识到美国人因为自己关于Z城的作品被吸引过去,主角此行更有几分救赎的意味。

所以说这个剧本写的真不错,层次数次递进,节奏总在起伏。一个探险故事被挖掘升华到殖民与西方文明史的叙述,同时没有丢掉其本身作为一个理想浪漫主义故事的特质。触及女性主义议题是一个不小的惊喜。我理解里感觉比较遗憾的是,荷兰弟的儿子角色有一点工具化,变为主角年长之后的代表初心和理想主义的发声者,父亲长期缺席后微妙的父子关系没有特别感受到。

 6 ) 迷失Z城

电影生动而深情地诠释了什么是“魂牵梦绕”。本来过度浪漫化这种直男历险、白人拓荒的电影不算是好事甚至是雷区,但格雷很完美地闪避了这些,用自己娓娓道来的节奏把一个神秘而传奇的故事完全复原,我身临其境无法自拔。而且本身有些遗憾的收尾,被最后一个镜头全部挽回,看完真是恍如隔世般感动。

第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷。

 短评

直到片尾看到producer是布拉德皮特之后才恍然大悟为什么电影里的男主角们一个个都长的像布拉德皮特ok

8分钟前
  • 黄柑柑
  • 还行

散轶的探险笔记,扑火的飞蛾;我们对世界,对彼此,对自己的探索,已知与未知的比例,大概永远都是恒定的。

12分钟前
  • 战将波舰金
  • 推荐

不是先进文明对落后文明的俯视,而是工业文明对古老文明的反哺。詹姆士·格雷用充满历史厚度的古典拍法讲述南美开荒的鲜花与骸骨。让人魂牵梦萦的Z城啊,你也是我的南美情结所在...

14分钟前
  • 同志亦凡人中文站
  • 推荐

I had a farm in Afri...对不起,进错片场。在亚马逊带着一箱吃的不敢往前多走一天,贝爷哭了。这是一个重在精神的冒险故事。想看雨林和土著文化的可以退散。其中参杂的男女和种族平等讨论,意愿是好,但手法生硬论点过于超时代,太假。影像古典路数,但是素材取舍不当,不显稳重精巧倒是拖沓了

15分钟前
  • 小斑
  • 还行

不是很能理解帝国时期对外扩张的野心和夙愿。结尾那一刻,被食人族抬走的父子给人一种仪式感的动容,其他部分很无聊。

18分钟前
  • 踢迩达
  • 还行

今天觀影非常愉快:片尾亮燈放字幕時,工作人員進來問還有人嗎?我以為又要被提醒沒彩蛋啊什麼的,結果工作人員竟然說,衹是近來確認一下,並沒有不讓看字幕的意思,於是非常安穩地聽完了片尾曲。享受!【日後補五星

21分钟前
  • 介意
  • 还行

美轮美奂, 有几场戏好像幻境, 从战场穿越到丛林, 像梦一样开枝散叶, 有点《蛇之拥抱》的错觉。老派的故事和画面真是让沉迷古典的人欲罢不能。有人会说平淡,可要拍成《夺宝奇兵》我就中途退场了。选角棒,帕丁森居然有种迷之帅气(差点认不出),而湖南一定是今年的最劳模最帅男主!

26分钟前
  • LORENZO 洛伦佐
  • 力荐

古典沉稳,如幻如雾,他内心拥有河流森林湖泊,愿付诸终生寻觅未知,见他人不曾见过的风景,经历他人不曾拥有的人生,名利如浮云,飞鲲驰万里。影像从来只是冰山一角,世界从来只属于勇敢的人,而我不过坐享其成罢了。

27分钟前
  • 秋天的黛西
  • 推荐

第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷

31分钟前
  • Steamed Punk
  • 力荐

电影生动而深情地诠释了什么是“魂牵梦绕”。本来过度浪漫化这种直男历险、白人拓荒的电影不算是好事甚至是雷区,但格雷很完美地闪避了这些,用自己娓娓道来的节奏把一个神秘而传奇的故事完全复原,我身临其境无法自拔。而且本身有些遗憾的收尾,被最后一个镜头全部挽回,看完真是恍如隔世般感动

35分钟前
  • 米粒
  • 力荐

事实被改编成非虚构文字作品,这其中就不勉存在对真实的删改,再到被改编成电影,又是更多的删改,现在又在这样的电影基础上剪掉三十几分钟那又能怎样?如果让大卫·柯南伯格拍多好,拍成像危险方法那样。关于这部电影我比较喜欢的一点是,许多场景非常适合配上德彪西印象主义音乐。

40分钟前
  • 恶魔的步调
  • 还行

直男和直男去大自然 直男和胖子去大自然 直男去打仗 直男和儿子去大自然 大自然真好啊儿子我们别走啦…… 冗长散漫的直男历险记 orz 我和友邻看的是同部片吗 出色的剪辑在哪里呀?迷失在Z城里厚?

45分钟前
  • 小捌
  • 较差

在所有逆流而上的丛林公路电影里,格雷无疑贡献了最古典肌理的版本;但视听乃至于剧作上古典优雅得越不可挑剔,丛林的野性和主人公的痴迷却也就越不可体味。

48分钟前
  • Peter Cat
  • 还行

拍出了Z城对珀西致命的吸引力,却没拍出Z城对观众致命的吸引力。

52分钟前
  • 冰山的阴影
  • 还行

听闻院线删了30分钟吓得没去看,看得蓝光,主题很深刻,理想乌托邦与现实之间的对弈,心怀梦想的人,永远也逃不出文明的桎梏,反而被自然之力反噬,迷失在文明与自然之中。实拍场景和摄影点赞,整体还是有些太长了

56分钟前
  • 乌鸦火堂
  • 还行

难怪公映版本要删减…

59分钟前
  • 辣辣的皮特
  • 较差

6/10,强烈谴责国内引进方为了增加排片赚钱蓄意删减的行为,看的如坐针毡,前面看的非常不适应,因为剧情推动的太快了,快到让我莫名其妙,以至于看完对人物动机和形象都没啥印象,所以如果对故事感兴趣的我还是不建议去看这个删减版,因为看的会很痛苦、很恶心、很想暴打提议删减的那个人。

60分钟前
  • 二月鸟语
  • 还行

喜欢两个地方。一个是用笔记本挡箭,二是男主带儿子走后镜头从他老婆的卧室里急速后退。总体就是流水账,太长。Sienna Miller的角色和《美国狙击手》里完全一样,是故意的吗?

1小时前
  • 猫猫
  • 还行

141分钟版。人物传记,冒险呢?没有,甚至在这方面的描写都很差,很简单的(仅受到一次攻击和食物危机)就到了没有(白)人发现的地方并发现文明,很简单的从没有人能回来的地方回来。

1小时前
  • 无姓之人
  • 较差

各方面都很主流,格雷最平庸的一部

1小时前
  • LOOK
  • 较差

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