Jewel

剧情片其它2022

主演:Michelle Botes,Connie Chiume,Chris Djuma,德斯蒙德·杜布,Lillian Dube,Nqobile Khumalo,Cindy Mahlangu,Sandile Mahlangu,Senzo Radebe,Robert Whitehead

导演:Adze Ugah

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Jewel 剧照 NO.1Jewel 剧照 NO.2Jewel 剧照 NO.3Jewel 剧照 NO.4Jewel 剧照 NO.5Jewel 剧照 NO.6Jewel 剧照 NO.13Jewel 剧照 NO.14Jewel 剧照 NO.15Jewel 剧照 NO.16Jewel 剧照 NO.17Jewel 剧照 NO.18Jewel 剧照 NO.19Jewel 剧照 NO.20
更新时间:2024-04-11 08:49

详细剧情

  While visiting a massacre memorial, a photographer finds herself drawn to a local woman. But their romance stirs up painful memories of a shared past.

 长篇影评

 1 ) 电影一个字"稳"

《理查德朱维尔的哀歌》 个人观影随笔,欢迎理性讨论,不喜勿喷 东木老爷子都快90岁了,还能拍出这样的电影,实在是令人敬佩,说来很奇怪,每次看老爷子的电影,不管是他主演还是他导演都特别稳,他拍的东西充满了一种沧桑感,对这个世界的理解和认知总是多了一层长辈的语境。

之前他拍的《萨利机长》,《换子疑云》,《骡子》都是根据真人真事改编的,似乎老爷子对现实世界有很多话想说,不管愤怒,还是感动,这些电影都代表了一种态度,或左或右,我看短评里有些人说女权人士不喜欢,说老爷子是保守派等等,好吧,这些声音当然可以有,我却有不同的看法,不过保留吧,每个人都有自己都意见,只是电影怎么拍,他只是针对角色,就像昆汀拍《好莱坞往事》,有时候界限和创作是矛盾的,大家变得严肃谨慎,在这种只有一个声音的地方,我已经受够了冠冕堂皇和条条框框,希望能有个平衡吧,不敢说了。

说说电影吧,朱维尔的演员演出了很多角色内在的东西,把一个普普通通有缺点的人刻画的惟妙惟肖,当角色不听律师的话喃喃自语时,甚至真的有种想让他闭嘴的冲动,当然越是这样想,越是因为演得传神,还有律师山姆,他的很多角色都没什么区别,从最早看他的《月球》,《火柴人》到《三块广告牌》,好像都是一种人,不过很喜欢这种表演风格,有点痞痞的,目中无人的样子,很有个人魅力的演员。

看完电影后,我一直在想,如果我是理查德朱维尔,该如何为自己辩护?好人尽责值守,挽救生命却成了被告人,这种让好人蒙冤的情节,咱这也有,不过不能说,我可能会哭,会委屈,会咆哮,可我却不知道怎么表达,理查德朱维尔在最后对着联邦调查员说的话,其实比任何辩护都有力量,东木老爷子也在讽刺这些人,不过FBI和记者这两个角色,个人感觉不够立体,太脸谱化了,或许出了这种恐怖袭击事件,不管什么制度,都会有不负责任的各种坏人,这只跟人性有关!

 2 ) 原报道:AMERICAN NIGHTMARE: THE BALLAD OF RICHARD JEWELL

On July 30, 1996, the media identified Richard Jewell as the F.B.I.'s prime suspect in the Olympic Park bombing. For the first time, the 34-year-old security guard tells his extraordinary story, to MARIE BRENNER: his brief moment as a national hero, his hounding by the Feds and the press, and his eccentric friendship with the unknown southern lawyer who helped him through his public torment.

FEBRUARY 1997 MARIE BRENNER DAN WINTERS The search warrant was short and succinct, dated August 3, 9:41 A.M. F.B.I. special agent Diader Rosario was instructed to produce "hair samples (twenty-five pulled and twenty-five combed hairs from the head)" of Richard Allensworth Jewell. That Saturday, Atlanta was humid; the temperature would rise to 85 degrees. There were 34 Olympic events scheduled, including women's team handball, but Richard Jewell was in his mother's apartment playing Defender on a computer set up in the spare bedroom. Jewell hadn't slept at all the night before, or the night before that. He could hear the noise from the throng of reporters massed on the hill outside the small apartment in the suburbs. All morning long, he had been focused on the screen, trying to score off "the little guy who goes back and forth shooting the aliens," but at 12:30 the sound of the telephone disturbed his concentration. Very few people had his new number, by necessity unlisted. Since the F.B.I. had singled him out as the Olympic Park bombing suspect three days earlier, Jewell had received approximately 1,000 calls a day—someone had posted his mother's home number on the Internet. "I'll be right over," his lawyer Watson Bryant told him. "They want your hair, they want your palm prints, and they want something called a voice exemplar—the goddamn bastards." The curtains were drawn in the pastel apartment filled with his mother's crafts and samplers; A HOME WITHOUT A DOG IS JUST A HOUSE, one read. By this time Bryant had a system. He would call Jewell from his car phone so that the door could be unlatched and Bryant could avoid the questions from the phalanx of reporters on the hill. Turning into the parking lot in a white Explorer, Bryant could see sound trucks parked up and down Buford Highway. The middle-class neighborhood of apartment complexes and shopping centers was near the DeKalb Peachtree Airport, where local millionaires kept their private planes. The moment Bryant got out of his car, the reporters began to shout: "Hey, Watson, do they have the murderer?" "Are they arresting Jewell?" Bryant moved quickly toward the staircase to the Jewells' apartment. He wore a baseball cap, khaki shorts, and a frayed Brooks Brothers polo shirt. He was 45 years old, with strong features and thinning hair, a southern preppy from a country-club family. Bryant had a stern demeanor lightened by a contrarian's sense of the absurd. He was often distracted—from time to time he would miss his exits on the highway—and he had the regional tendency of defining himself by explaining what he was not. "I am not a Democrat, because they want your money. I am not a Republican, because they take your rights away," he told me soon after I met him. Bryant can talk your ear off about the Bill of Rights, ending with a flourish: "I think everyone ought to have the right to be stupid. I am a Libertarian." At the time Richard Jewell was named as a suspect by the F.B.I., Watson Bryant made a modest living by doing real-estate closings in the suburbs, but Jewell and his lawyer had formed an unusual friendship a decade earlier, when Jewell worked as a mailroom clerk at a federal disaster-relief agency where Bryant practiced law. Jewell was then a stocky kid without a father, who had trained as an auto mechanic but dreamed of being a policeman; Bryant had always had a soft spot for oddballs and strays, a personality quirk which annoyed his then wife no end. The serendipity of this friendship, an alliance particularly southern in its eccentricity, would bring Watson Bryant to the immense task of attempting to save Richard Jewell from the murky quagmire of a national terrorism case. The simple fact was that Bryant had no qualifications for the job. He had no legal staff except for his assistant, Nadya Light, no contacts in the press, and no history in Washington. He was the opposite of media-savvy; he rarely read the papers and never watched the nightly news, preferring the Discovery Channel's shows on dog psychology. Now that Richard Jewell was his client, he had entered a zone of worldwide media hysteria fraught with potential peril. Jewell suspected that his pickup truck had been flown in a C-130 transport plane to the F.B.I. unit at Quantico in Virginia, and Bryant worried that his friend would be arrested any minute. Worse, Bryant knew that he had nothing going for him, no levers anywhere. His only asset was his personality; he had the bravado and profane hyperbole of a southern rich boy, but he was in way over his head. For hours that Saturday, Bryant and Jewell sat and waited for the F.B.I. From time to time Jewell would put binoculars under the drawn curtain in his mother's bedroom to peer at the reporters on the hill. Bryant was nervous that Jewell's mother, Bobi, would return from baby-sitting and see her son having hairs pulled out of his head. Bryant stalked around the apartment complaining about the F.B.I. "The sons of bitches did not show up until three P.M.," he later recalled, and when they did, there were five of them. The F.B.I. medic was tall and muscular and wore rubber gloves. He asked Jewell to sit at a small round table in the living room, where his mother puts her holiday-theme displays. Bryant stood by the sofa next to a portrait of Jewell in his Habersham County deputy's uniform. He watched the F.B.I. procedure carefully. The medic, who had huge hands, used tiny drugstore tweezers. "He eyeballed his scalp and took his hair in sections. First he ran a comb through it, and then he took these hairs and plucked them out one by one." Jewell "went stone-cold," but Bryant could not contain his temper. "I am his lawyer. I know you can have this, I know you have a search warrant, but I tell you this: If you were doing this to me, you would have to fight me. You would have to beat the shit out of me," Bryant recalled telling the case agent Ed Bazar. Bazar, Bryant later said, was apologetic. "He seemed almost embarrassed to be there." As he counted out the hairs, he placed them in an envelope. The irony of the situation was not lost on Bryant. He was a lawyer, an officer of the court, but he had a disdain for authority, and he was representing a former deputy who read the Georgia law code for fun in his spare time. It took 10 minutes to pluck Jewell's thick auburn hair. Then the F.B.I. agents led him into the kitchen and took his palm prints on the table. "That took 30 minutes, and they got ink all over the table," Bryant said. Then Bazar told Bryant they wanted Jewell to sit on the sofa and say into the telephone, "There is a bomb in Centennial Park. You have 30 minutes." That was the message given by the 911 caller on the night of the bombing. He was to repeat the message 12 times. Bryant saw the possibility of phony evidence and of his client's going to jail. "I said, 'I am not sure about this. Maybe you can do this, maybe you can't, but you are not doing this today.'" All afternoon, Jewell was strangely quiet. He had a sophisticated knowledge of police work and believed, he later said, "they must have had some evidence if they wanted my hair. ... I knew their game was intimidation. That is why they brought five agents instead of two." He felt "violated and humiliated," he told me, but he was passive, even docile, through Bryant's outburst. He thought of the bombing victims— Alice Hawthorne, the 44-year-old mother from Albany, Georgia, at the park with her stepdaughter; Melih Uzunyol, the Turkish cameraman who died of a heart attack; the more than 100 people taken to area hospitals, some of whom were his friends. "I kept thinking, These guys think I did this. These guys were accusing me of murder. This was the biggest case in the nation and the world. If they could pin it on me, they were going to put me in the electric chair." I met Richard Jewell three months later, on October 28, a few hours before a press conference called by his lawyers to allow Jewell to speak publicly for the first time since the F.B.I. had cleared him. Jewell's lawyers also intended to announce that they would file damage suits against NBC and The Atlanta Journal-Constitution. It was a Monday, and that weekend the local U.S. attorney had delivered a letter to one of the lawyers stating Jewell was no longer a suspect. "Goddamn it," Bryant had told me on the phone, "the sons of bitches did not even have the decency to address it to Richard Jewell." I had been instructed to come early to the offices of Wood & Grant, the flashy plaintiff lawyers Bryant had pulled in to help him with Jewell's civil suits. When I arrived, I was alone in the office with Sharon Anderson, the redheaded assistant answering the phones. "Wood & Grant . . . Wood & Grant . . . Wood & Grant"—the calls overwhelmed her. Lin Wood and Wayne Grant were rushing from CNN to the local NBC and ABC affiliates, working the shows. "Everyone has theories of who the real bomber is," Sharon said. "I just write it all down and give it to the boys." When Lin Wood arrived, he was still in full makeup. Movie-star handsome with green eyes and styled hair, Wood has the heated oratory of a trial lawyer. "It's a war! Why in this bevy of stories does not anyone point out the fact that Richard was a hero one day and a demon the next? They have destroyed this man's life!" Watson Bryant had worked with Wood and Grant years before in a local law firm. He admired Wayne Grant for his methodical sense of detail; Grant, a New Yorker, had once forced the city of Atlanta to pay large damages to a man injured while illegally digging for antique bottles in a park. But Lin Wood's suppressed rage was a marvel to Bryant. "He is so tough he could make people cry in depositions when we were kids," Bryant told me. Wood possessed the smooth style of a member of the Atlanta establishment, but he had a hardscrabble past. He was a boy from "the wrong side of the tracks" in Macon who at age 17 discovered his mother's body after his father had murdered her. His father went to jail, and Wood wound up as a lawyer. He went through college and law school on scholarships and with part-time jobs. I could hear Wood on Sharon's telephone: "He's more than innocent. He's a goddamn hero. . . . Everyone is going to pay who wronged Richard Jewell. Besides NBC and The A.J.C., we are going to look into suing CNN and Jay Leno." Through the large picture window, I had a clear view of the remains of the Centennial Olympic Park, where the bomb had exploded on the night of July 26. Where the sound-and-light tower had once been, there was now a flattened dirt field. It was possible to see the Greek commemorative sculpture that Richard Jewell used to describe for tourists at the AT&T pavilion, where he worked as a security guard. Suddenly, Jewell was in the room. "Hi. I'm Richard. I'm a little late. I don't want you to think I am rude. I am not like that." He had an open face, a bland pleasantness, an eagerness to please. "Can I get you a Coke?" he asked me. "How about some coffee?" Jewell wore a blue-and-white striped shirt and chinos. He occupied physical space like a teenager; he sprawled, he lumbered, he pawed through Sharon's candy bowl. On TV his face had a porcine blankness; he appeared suspicious. In person, Jewell has a hard time disguising his emotions. We were alone in the conference room; I noticed that Jewell avoided looking out the window toward the park. He shifted his glance nervously away from the view. He often awakens in the middle of the night, drenched in sweat, thinking of the events in the park in the early morning hours of July 27. "It took me days before I could even come in here," he said anxiously. The newsroom atmosphere resembled that at F.B.I. headquarters; there was a frenzy to be first. When Jewell noticed a local ABC reporter outside near Sharon's desk, his face darkened. "I don't want to be around reporters right now. I guess I am a little nervous. What is he doing here?" The atmosphere was now filled with tension; the reporter was escorted out. Moments later, we gathered in the hallway. Wood was steely: "We are going in two cars. Richard, you drive with me. Your mother will go with Wayne. As we walk down the hall right now, if the ABC people are outside, I will tap you on the shoulder and I will say, 'How are you doing?' You will say, 'Fine.' Is that understood?" "O.K., Lin. I understand," Jewell said quietly, head bowed. As Jewell walked down the hall, an ABC cameraman photographed him looking grim. Seconds after the elevator doors closed, Jewell exploded: "What are they doing here, Lin? Did you invite them? They are animals. Why didn't you get them out of here?" "ABC has been good to you. How do I get them out of the office on the day of your press conference?" "That is what security is for!" Jewell said, quivering with rage. "Where is Watson?" he asked in the garage. "I told you: he's at a real-estate closing. He will meet you at the press conference," Wood said. Jewell moved to his mother's side, as solicitous as a child. "Are you all right, Mother?" he asked. "It is all I am going to be able to do not to do something!" she said angrily. When we arrived at the Marriott hotel on 1-75, there was another discussion in the parking lot, about who would walk with whom in front of the cameras. Jewell turned to his close friend Dave Dutchess: "Are you all right, man?" Dutchess, a truckdriver who worked with Jewell years ago, has long hair and a tattoo of a panther on his forearm. "Richard and I are like brothers," he told me. "I would die for him." As the cameras closed in on them, the group fled to a private room in the Marriott. The auditorium was filled with reporters. "Showtime! Showtime!" the cameramen yelled when Jewell, his mother, and all the lawyers took the stage. "I hope and pray that no one else is ever subjected to the pain and the ordeal that I have gone through," Jewell said, his voice breaking. "The authorities should keep in mind the rights of the citizens. I thank God it is ended and that you now know what I have known all along: I am an innocent man." After the press conference, Bobi and Richard Jewell remained in a private room. The bookers from Good Morning America and the Today show pressed Jewell to step before their cameras, and when Watson Bryant told them no, Monica, the G.M.A. booker, began to cry, "I'll lose my job." Then Yael, the Today-show booker, cornered Nadya Light: "Is Richard doing something with G.M.A.?' Upstairs, Jewell and his mother were being filmed by a CBS camera crew for a 60 Minutes news update. "Well, Bobi, did you get your Tupperware back?" Mike Wallace asked by phone from New York. "Richard, you need to lose some more weight." Despite Wallace's festive spirit, the atmosphere was curiously flat. Bryant urged Jewell to talk to a USA Today reporter. Jewell balked: "They can all go suck wind." In the car on the way back to Wood & Grant, Bobi was angry. All of her possessions had come back from the F.B.I. marked up with ink. "Every piece of Tupperware I own is ruined, thank you very much. They wrote numbers all over it, and I have tried everything to clean it—Comet and Brillo—but nothing works." Back at the office, she sat on the sofa and listened as Bryant negotiated with Yael for a flight to New York— Delta, first-class, 9:30 P.M. Jewell was scheduled to appear on three shows in New York, visit the American Museum of Natural History, and then fly to Washington, D.C., for Larry King Live. "I would like to go home, put on my outfit, and walk in the woods," Bobi said. "Richard, we are leaving." "Yes, ma'am," Richard said. One hour later, a telephone call came in to the offices of Wood & Grant. The lawyers had the call on speaker, and it blared through the room. "Goddamn it, Lin. When will this be over?" In the background, you could hear Bobi sobbing. "What in the world?" Wood asked. Jewell explained that a sound truck from ABC had been waiting in the parking lot when the Jewells got home. There had been words and threats, and Dave Dutchess had taken his stun gun off his motorcycle and waved it at the ABC van. The cameraman yelled: Stop harassing us! Dave yelled back: You are harassing us! Now get your ass out of here! Wood shouted into the speakerphone: "Do not meddle! You cannot jeopardize where you have gotten to and what you want to do! All you have to do is put up with this for one more day and the damn thing is over. Bobi, there is nothing you can do about it; you have to stay cool." Bobi cried back, "They are going to destroy me!" The moment they hung up, Wood turned to Bryant. "New York is canceled. No Katie Couric. No Good Morning America. They are losing it. You better call Yael." "No," Bryant said, "they have lost it. All of the above: their patience, their temper and heart." That evening a very testy Katie Couric tracked Bryant down at Nadya Light's apartment, where we had gone to watch the news. "I want you to know that I canceled interviewing Barbra Streisand in L.A. for Richard Jewell. Don't think he is always going to be a news story. No one will care about him in three days," she said, according to Bryant. "Look, Katie, I am sorry. But Richard is in no condition to talk to the press. He is worn out," Bryant told her. Later, Jewell would tell me that that day, which should have been one of his most satisfying, was actually his worst. His notoriety had tainted the triumph; everything positive had become negative. "I was in despair," he said. As he had for most of the previous 88 days, he spent the night confined in the Buford Highway apartment, a prisoner of his circumstances, with his mother, Dave Dutchess, and Dave's fiancee, Beatty, eating Domino's Pizza and watching himself lead the newscasts on NBC, CBS, and ABC. "This case has everything—the F.B.I., the press, the violation of the Bill of Rights from the First to the Sixth Amendment." 'This case has everything— the F.B.I., the press, the violation of the Bill of Rights, from the First to the Sixth Amendment," Watson Bryant told me in one of our first conversations. It has become common to characterize the F.B.I.'s investigation of Richard Jewell as the epitome of false accusation. The phrase "the Jewell syndrome," a rush to judgment, has entered the language of newsrooms and First Amendment forums. On the night of Jewell's press conference, a commentator on CNN's Crossfire compared Jewell's situation to "Kafka in Prague." The case became an investigative catastrophe, which laid bare long-simmering resentments of many F.B.I. career professionals regarding the micromanagement style and imperious attitude of Louis Freeh and his inner circle of former New York prosecutors, who have worked together since their days at the U.S. Attorney's Office in the Southern District. Within the bureau, the beleaguered director now has a new nickname: J. Edgar Hoover with children. Like Freeh, those near him have also acquired a nickname: Louie's yes-men. Two of Freeh's closest associates, F.B.I. general counsel Howard Shapiro and former deputy director Larry Potts, have been severely criticized, respectively, for advising the White House of confidential F.B.I. material and for an alleged cover-up of the mishandling of the 1992 standoff at Ruby Ridge, where F.B.I. agents killed the wife and son of Randy Weaver, a white supremacist. In November and December, the Office of Professional Responsibility conducted an exhaustive investigation into the Jewell affair. Responding to an attempt by headquarters and certain officials to distance themselves, according to F.B.I. sources, several agents, including a senior F.B.I. supervisor in Atlanta, have provided the O.P.R. with signed statements insisting that Freeh himself was responsible for "oversight" during the crisis. These agents "shocked the investigators" because they reiterated, when asked who was in charge of the overall command of the investigation, that it was the director himself. What happened to Richard Jewell raises an important question central to Freeh's future tenure: in the midst of a media frenzy, does the F.B.I. have any responsibility to protect the privacy of an innocent man? Over the last year, this concept was broached with Bob Bucknam, Louis Freeh's chief of staff. During the long Pizza Connection trial in the 1980s, it was Bucknam who handed Freeh files at the prosecutor's table. According to highly placed sources in the bureau, Bucknam's answer was immediate: the F.B.I. has no responsibility to correct information in the public domain. Richard Jewell had a reverence for authority that blinded him to the paradox of his situation. He idealized the investigative skills of the F.B.I. and could not understand that he had become ensnared in a web fraught with the weaknesses of a self-protective bureaucracy. Pennsylvania senator Arlen Specter has invited Jewell to Washington to testify at congressional hearings on the F.B.I.'s conduct in the Atlanta bombing. Ironically, the bungling of the investigation might lead to the reshuffling of personalities at the top of the bureau and threaten Freeh's reputation. In October, according to The Washington Post, Freeh sent an unusual memo to all 25,000 F.B.I. personnel: He would not be abandoning his post amid reports of problems with the Jewell case and Filegate, and of a growing dissatisfaction inside the bureau. "I am proud to be the F.B.I. director," Freeh wrote. From the beginning, Jewell was perceived in the public imagination as a hapless dummy, a plodding misfit, a Forrest Gump. On one of the first days he worked as a security guard at the AT&T pavilion, he noticed that his co-workers were covering the steps inside the sound tower with graffiti. On one step Jewell scrawled with a flourish two bromides: IF YOU DIDN'T GO PAST ME, YOU ARE NOT SUPPOSED TO BE HERE and LIFE IS TOUGH. TOUGHER WHEN YOU ARE STUPID. Soon after he was targeted as a suspect in the Olympics bombing, the F.B.I. confiscated the step. Analysts appeared to believe that the graffiti contained a clue to his character. "They told the lawyers the statement was an obvious taunt," Jewell said. In fact, the second line was an expression he had cribbed from one of his favorite actors, John Wayne. Within the F.B.I., the beleaguered director has a new nickname: J. Edgar Hoover with children. "To understand Richard Jewell, you have to be aware that he is a cop. He talks like a cop and thinks like a cop," his criminal lawyer, Jack Martin, told me. The tone of Jewell's voice drops noticeably when he says the word "officer," and his conversation is filled with observations about traffic patterns, security devices, and car wrecks. Even the vocabulary he uses to describe the 88 days he was a suspect is out of the lexicon of police work, and he continues to talk about his situation then in the present tense: "This is an out-and-out ambush, and I am a hostage." Jewell has a need to accommodate. He can be startlingly opaque. On the afternoon of July 30, Jewell answered the door of his mother's apartment to Don Johnson and Diader Rosario from the F.B.I. "We need your help making a training film," they told him. "I never questioned it," he told me. The next day Rosario appeared again with a search warrant. "The weird thing was that when they were searching my apartment I was, like, 'Take everything. Take the carpet. I am law enforcement. I am just like you. Guys, take whatever you are going to take, because it is going to prove that I didn't do anything.' And a couple of them were looking at me like I was crazy." Leaving the apartment on one occasion, he told the agents, "I am wearing a bright shirt so y'all can see me easier." He recalled feeling anger when he read descriptions of himself as a child-man, a mama's boy, and "a wannabe policeman," but he said, "If I was in the place of everybody else and I saw a 34-year-old guy living with his mother, I would have reservations about that, too. I would think, Why is he doing that?" The December issue of Atlanta magazine reported that there was no record of a Jewell family in Danville, Virginia, where Richard Jewell was born. Atlanta referred to an article in the Danville Register & Bee which asked, "Did Richard Jewell ever sleep here?" "This is a part of my life Richard and I do not like to speak about," Bobi Jewell told me one night at dinner. Richard was born in Danville, but his name was Richard White; his father was Bobi's first husband, Robert Earl White, who worked for Chevrolet. According to Bobi, Richard's father, who died recently, was "irresponsible and a ladies' man." When Richard was four, the marriage broke up. Bobi found work as an insurance-agency claims coordinator and soon met John Jewell, an executive in the same business. Shortly after John Jewell married Bobi, he adopted Richard. From the time Richard was a child, he and his mother were a unit. Bobi, a woman of intelligence and disciplined work habits, is both tender and tough on the subject of her son. She still calls Richard "my boy," but she has a peppery disposition. Richard was brought up in a strict Baptist home. "If I didn't say 'Yes, ma'am' or 'No, ma'am' and get it out quick enough, I would be on the ground," he said. When he was six, the family moved to Atlanta. Richard was the boy who helped the teachers and worked as a school crossing guard, but he had few friends in high school. "I was a wannabe athlete, but I wasn't good enough," he said. He ran the movie projector in the library. A military-history buff, he liked to talk about Napoleon and the Vietnam War and read books on both World Wars. Jewell's ambition was to work on cars, so he enrolled in a technical school in southern Georgia. On his third day there, Bobi discovered that her husband had packed a suitcase. "He left a note saying that he was a failure and no good for us," Jewell said. Almost immediately, Richard moved back home and took a job repairing cars. "My mom and I tried to take care of each other," he said. "I think I handled it pretty much better than she did." Richard took the brunt of his father's abandonment; Bobi pulled even closer to her son. "She hated all men for about three years after that, and she became overly protective of me. She looked at it that I was going to do the same thing that my dad did. I was 18 or 19. I was working. She never liked my dates, but I never held that against her. We have always been able to lean on each other." Richard managed a local TCBY yogurt shop and once stopped a burglary in progress. At the age of 22, he was hired as a clerk at the Small Business Administration, and he impressed Watson Bryant and the other lawyers in the office with his personable nature. They called him Radar because of his efficiency. "You could say, 'I'm hungry,' and suddenly this kid would be by your side with a Snickers bar," Bryant recalled. When Jewell's contract with the S.B.A. ran out, he moved on to be a Marriott house detective. In 1990 he was hired as a jailer in the Habersham County Sheriff's Office, and in 1991 he became a deputy. As part of his training, he was sent to the Northeast Georgia Police Academy, where he finished in the upper 25 percent of his class. He finally had an identity; he was a law-enforcement officer. Jewell was unlucky in love. He presented one woman with an engagement ring, and later, in Habersham County, he would give another a large wooden key with a sign that read, THIS IS THE KEY TO UNLOCK YOUR HEART, but both relationships came apart. In northern Georgia, Jewell worked nights and became wedded to his job. By his own description, he was methodical. "I am the kind of person who plans everything. I like to go from A to B to C to D. This going from A to D and arguing over everything—I say no." Habersham County, a scenic part of the piney woods in Georgia's Bible Belt, was for Jewell like "leaving the 1990s and going into the 1970s in terms of law enforcement." Many rich Atlantans have country houses in the mountains, but the small towns of Demorest and Charlottesville are relatively undeveloped, reminding one of Jewell's lawyers of the scenery in the movie Deliverance. "If you get lost up there, you might find a guy with a bow and arrow," the lawyer said. Recently, Jewell and I took the 90-minute drive from Atlanta to Habersham County, which has acres of apple orchards. The leaves were turning, and the roads were mostly deserted. In the towns, however, were stores, apple stands, and even a good Chinese restaurant. As Jewell's blue pickup truck turned into the parking lot of a shopping center, several people came out to greet him. Jewell had lived in a small yellow house up a steep rocky driveway. On the day we visited, the current resident's Halloween decorations were still up, as were faded white satin ribbons hanging from many trees, remnants of a campaign to clear Richard Jewell organized by area friends. Jewell had lived 50 yards from the Chattahoochee River near a kayak-and-canoe tourist concession on a main road—not in a "cabin in the woods," as several reports stated after the bombing. He worked the night shift, and when he would arrive home at dawn, he told me, he could look up and "see a sky filled with stars." He was not a loner; he made friends with several local families. He would often leave a box of Dunkin' Donuts on friends' porches at four A.M. During the O. J. Simpson trial, he and the other deputies would meet in the turnaround on Highway 985 in the middle of the night and review the day's events and the bungling by the Los Angeles Police Department. Jewell would later be annoyed that the F.B.I. confiscated his copy of former prosecutor Vincent Bugliosi's account of the trial. Jewell dated a local girl, Sheree Chastain, and had a close relationship with her family. Jewell had a complex history working at the Habersham County Sheriff's Office. When he was still a jailer, he arrested a couple making too much noise in a hot tub at an apartment building where he did part-time security work. He was arrested for impersonating an officer and, after pleading guilty to a lesser charge, was placed on probation on the condition that he seek psychological counseling. By his own estimation, Jewell's strength as a cop was "working car wrecks." He had his mother's diligence; he worked 14 hours a day and organized a safety fair. Later in 1995 he wrecked his patrol car and was demoted to working in the jail. Rick Moore, a local deputy, advised him to accept the job, but Jewell despised the jailhouse atmosphere. He told me, "It was a small room filled with cigarette smoke. I couldn't take it." He resigned, and in a short time he moved to a police job at Piedmont College, a liberal-arts school with approximately 1,000 students on the main road in Demorest. The college police had jurisdiction only on campus and in an area extending out 500 feet. Jewell chased cars speeding down the highway and had arguments over turf with other officers. He was instrumental in several arrests, including that of a suspected burglar he discovered hiding at the top of a tree. For his work on a volunteer rescue squad, he was named a citizen of the year. According to Brad Mattear, a former resident director, Piedmont was a school of "P.K.'s"—preachers' kids. It was 80 percent Baptist with a strict no-drinking rule. The college had many rebellious students, according to Mattear, kids who were "away from home for the first time and wanted to party and drink." Mattear knew Jewell well and recalled his good manners and playful nature. "It was always 'Yes, sir' and 'Yes, ma'am.'" Jewell would tell students, "I know y'all are going to drink. Don't do it on campus." Jewell felt confined by his boundaries and could be heavy-handed when it came to writing out reports on minor infractions. Once when we were driving by the campus, he pointed to a small brick dormitory. "That was where all the partying would go on," he told me. Jewell would raid dorm rooms and report drinking violations. "I did not hesitate to tell the parents—in no uncertain terms—what their kids were up to," he said. He soon made enemies at the school. "Three or four times a week," Mattear said, Piedmont students were in the office of Ray Cleere, the president of the college, complaining about Jewell and other Piedmont police. After Jewell was admonished for a number of controversial arrests, he resigned. Jewell had an out: his mother was going to have an operation on her foot. He would go home to Atlanta for the Olympics and look for a new job. He called his mother: "Is it all right with you if I stay with you while you have your surgery?" He hoped he might get a job with the Atlanta police or, failing that, work security at the Olympics. "I thought, Working at the Centennial Olympic Park will look really good on my resume." At the age of 33, back in his mother's apartment, he was at first treated like a wayward teenager. Bobi was sharp with him about his slovenly habits, his weight, and his driving. Bobi had carved out a life for herself; she arrived at work by eight A.M. each morning and had many friends. Trim, with short-cropped hair, Bobi Jewell is the kind of woman who labels her clothes and spices and spends much of her spare time baking cakes and babysitting for extra money. She carries on telephone friendships with claim adjusters at other companies. It was somewhat unsettling for her, she told me, to have Richard at home after she had grown used to living with only her dog, Brandi, and her cat, Boots. Bobi was annoyed that he had wrecked a patrol car, and worried about his safety. "Every time he leaves the apartment, I'll say, 'Richard . . . ' And he'll say, 'Yes, ma'am. I know. The person that I am going to see will be there when I get there,'" she said. On one occasion Bobi talked about Richard's return to Atlanta. "What is wrong with trying to revamp your life?" she asked me. Her eyes filled with tears. "Why does everyone in the media think it is so strange?" On Friday, July 26, Bobi Jewell was home waiting for her niece to arrive from Virginia for the Olympic softball competition the following week. In preparation, she had stocked her apartment with food. It was a clear Georgia evening, not as hot as had been expected. As usual, Richard left for the park at 4:45 P.M. and arrived at the AT&T pavilion about 5:30. His stomach was bothering him; he was convinced that he had eaten a bad hamburger the day before. Lin Wood and Wayne Grant had arranged to take their children to Centennial Park that night. The park, in downtown Atlanta, stretches over 21 acres. There were air-conditioned tents, concerts on the stage, and hot-dog and souvenir stands. Downtown Atlanta was usually deserted in the oppressively hot, humid summer, but this year thousands of tourists filled the sidewalks, or sat on benches in the shade of some crape-myrtle trees, or cooled off by a fountain. Tour buses clogged the main arteries, and everyone complained that it took hours to get anywhere; stories were traded about athletes' getting to their competitions late because of the poor planning of the Atlanta Committee for the Olympic Games. As always, Jewell was working the 12-hour night shift near the sound-and-light tower by the stage. He was pleased because one of his favorite groups—Jack Mack and the Heart Attack—was going to perform at 12:45. Jewell had a routine: he would check in and fill the ice chest he kept by a bench at his station. Jewell liked to offer water and Cokes to pregnant women or policemen who stopped to rest. After he arrived at the park, his stomach cramps grew worse and he had a bout of diarrhea. At approximately 10 P.M. he took a break to go to the bathroom. The closest one was by the stage, but the security staff was not allowed to use it. "I really have to go," Jewell says he told the stage manager. "And he said, 'Well, O.K. this time.'" When Jewell came out, he noticed that it was "real calm" and there wasn't much wind blowing. At that time of night, the crowd from Bud World became a little more raucous. Jewell was annoyed when he saw a group of drunks near his bench and beer cans littering the area beside the fence nearby. As he went to report the trash and the group that was carousing, he spotted a large olive-green military-style backpack, known as an Alice pack, under the bench. There had been a similar bag found the week before. Jewell later told an F.B.I. agent that he was annoyed that one of the drunks had tried to get into the lens of a camera crew. Jewell had told them to cut it out. "They were running off at the mouth," Jewell would later tell Larry Landers of the Georgia Bureau of Investigation (G.B.I.). "I was light about the package at first," he told me, "kidding around with Tom Davis from the G.B.I.: 'Well, are you going to open it?' At that point, it was not a concern. I was thinking to myself, Well, I am sure one of these people left it on the ground. When Davis came back and said, 'Nobody said it was theirs,' that is when the little hairs on the back of my head began to stand up. I thought, Uh-oh. This is not good. "I never really had time to be frightened. My law-enforcement background paid off here. What went through my head was like a computer screen of this list I had to do. I had to call my supervisor. I have to tell people in the tower that something was going on. I have to be firm with them, stay calm, and be professional." Almost immediately, Jewell and Tom Davis cleared a 25-foot-square area around the backpack; Jewell made two trips into the tower to warn the technicians. "I want y'all out now. This is serious." Two blocks away on Marietta Street, approximately 300 editors, copywriters, and reporters from Cox newspapers around the country had taken over the extra desks in the new eighth-floor newsroom at The Atlanta Journal-Constitution to prepare the special Olympics edition they put out each afternoon. The paper had gone "Olympics-crazy," according to one reporter. The editor, Ron Martin, and the managing editor, John Walter—"WalMart," as they were called—had let it be known that no expense would be spared. Ann Hardie, who normally covers science, had been sent around the world to master the fine points of beach volleyball; Bill Rankin, officially on the federal-court beat, was assigned table tennis. The paper intended to set new standards in its hometown during the games, but in addition there was a hint of redemption in the air. Since Cox newspaper executives had forced the resignation of the distinguished editor Bill Kovach in 1988, the paper had suffered a severe loss of reputation. "We all felt just kind of beaten down," one reporter said. Kovach had been brought to Atlanta from The New York Times to elevate The A.J.C. into being the definitive paper of the New South, but eventually he irritated the local powers. Atlanta was inbred, a city of deals, and he resigned in a blaze of press outrage. Kovach now ran the Nieman journalism-fellowship program at Harvard, and the movie rights to his turbulent years in Atlanta—reported in these pages by Peter J. Boyer—had been sold to Warner Bros. Within the profession, The A.J.C. had become something of a joke. More and more, its emphasis was on what John Walter called "chunklets"—short bits in a soft-news style known as eye-candy. The paper published features on couples massage and how mushrooms grow in the rain. Walter had fired off several terse memos to ensure that there would be no more jumps of news stories to back pages and no more unsourced news stories, except on rare occasions. "I don't see any reason why you can't report hard news in a short form," one editor told me. The A.J. C. style of reporting in declarative sentences had a name, too: the voice of God. It was omniscient, because it allowed no references to unattributed sources. Subjects such as AIDS, which often required confidentiality, could not be covered properly in the paper, in the opinion of several reporters. The A.J.C. picked up news stories with unnamed sources from The New York Times, however, and reporters groused about the hypocrisy of the double standard. On Saturday morning, July 27, Bob Johnson, the night metro editor, left the newsroom at one A.M. The sidewalks were still crowded; Johnson sat on a wall outside waiting for an A.J.C. shuttle bus to pick him up. About 1:25 he heard a strange noise. "It sounded like an aerial bomb at a fireworks show," he said. He recalled thinking, Damn, that is sort of foolish. Then he heard screams and saw people running. Johnson rushed back upstairs to the almost deserted sixth-floor newsroom. Lyda Longa, a night police reporter, was still there. Johnson sent her down to the park and turned on the news, but nothing had moved across the wires. Just after two A.M., Longa called from the park. She told Johnson that one person had been killed and dozens were down—it was absolute chaos. Johnson could hear the sirens and the screams through the telephone; he began to type into his computer. "We were trying to get a bullet into the street edition," Johnson recalled. In the crisis, it took only minutes for reporters to return to the newsroom; several had been at the park when the bomb went off. Rochelle Bozman, an Olympics editor, appeared and took over for Johnson. Soon John Walter was there, as was Bert Roughton, who would assist him in supervising the A.J.C. coverage of the bombing. At the park, Jewell spoke with the first F.B.I. agents to arrive on the scene. The smell and the noise, he remembered, were overwhelming, and sensations blurred together. "It was hard to describe the sound," he said. "It was like what you hear in the movies. It was, like, KABOOM. I had seen an explosion in police training. We had ear protection when it went off. It smelled like a flash-bang grenade. The sky was not filled with black smoke, but grayish-white. All the shrapnel that was inside the package kept flying around, and some of the people got hit from the bench and some with metal." Bobi Jewell had just gone to sleep when the telephone rang. It was Richard. "Mom, they had a bomb go off down here, but I am O.K. regardless of what the TV says." He could hardly speak; he seemed paralyzed. Jewell did not mention to his mother that he had found the backpack and alerted Tom Davis. Bobi was perplexed. "I thought, What does he mean?" All night long she stayed on the foldout sofa watching the news reports. She was frightened by the ambulances, the noise, the bodies in the park. Soon veteran homicide detectives in the Atlanta police arrived at the bomb site. One sergeant was trying to make his way through the crowd when an Olympics official stopped him. "Tell these cops to get the hell out of here," he said, according to a captain in the homicide division. "Well, you get the fuck out of here. Who are you?" the sergeant demanded. Agents from the Atlanta F.B.I. office and the Bureau of Alcohol, Tobacco and Firearms were in a shouting match over jurisdiction. "We are handling this!" one said. "No, this is ours!" an F.B.I. agent snapped. In the command center at F.B.I. headquarters in northeastern Atlanta, there was complete pandemonium. The Olympics were a national convention for law enforcement. Some 30,000 security personnel were on hand. Over the next few days, there would be an internal debate: Who was going to be in charge of the bombing investigation? In Atlanta at that time were three veteran investigators with executive experience: Tom Fuentes, who is credited with helping to bring John Gotti to heel; Barry Mawn, who has worked extensively in organized-crime probes; and Robin Montgomery, the head of the critical-incident unit at Quantico, who at Ruby Ridge in 1992 questioned the disastrous "rules of engagement" which led to tragedy. In the early-morning hours, F.B.I. agents picked up several suspects, including one referred to as "the drunk in the bar." According to F.B.I. sources, Louis Freeh himself got on the telephone to Barry Mawn. Freeh, a former F.B.I. agent, was personally monitoring the initial investigation by means of a series of conference calls from the command post at F.B.I. headquarters. He focused on "the drunk in the bar," who had been making threats the night before, and within hours the information was leaked that the F.B.I. had a suspect. From Atlanta, Barry Mawn contacted his superiors in Washington. "This suspect is not the bomber," he reportedly said, according to a former highlevel F.B.I. executive. Freeh allegedly lost his temper and belittled Mawn's professional abilities. He is said to have told Mawn that he "had handled this all wrong." The words one hears characterizing Freeh's telephone calls to the agents on duty in Atlanta are "abusive," "condescending," and "dismissive." A story went around the command center that Freeh was already saying, "We have our man," according to a source in the bureau. Watson Bryant was thinking, I cannot believe that I know anyone who throws pipe bombs into gopher holes. Freeh made a decision: however experienced Montgomery, Fuentes, and Mawn were, this investigation would be run by Division 5 of the F.B.I., the National Security Division, a former counterintelligence unit that has been looking for a purpose since the Cold War ended. Trained in observation, division members rarely made a criminal case—their strength was intimidation and manipulation rather than the deliberate gathering of evidence to be presented in court. The F.B.I. promptly declared the bombing a terrorism case and placed it under the authority of Bob Bryant, head of the division. David Tubbs of Division 5 was sent to Atlanta to be the spokesman and to augment Woody Johnson, the Atlanta special agent in charge (S.A.C.), who had been trained in hostage rescue and who was awkward in press briefings. Tubbs was not as experienced in criminal cases as Mawn or Montgomery, who returned to Newark and Quantico, respectively, "to get out of the line of fire," according to numerous F.B.I. sources. But Bryant and Freeh were reportedly micromanaging the S.A.C.'s and, later, the case agents Don Johnson and Diader Rosario. 106107 VIEW ARTICLE PAGES On the morning of the bombing, Watson Bryant's alarm went off at six A.M. He was going to the Olympic kayak competition on the Ocoee River with Andy Currie, a friend from his Vanderbilt University days. He learned of the bombing on the radio as he was getting ready to go to Currie's house. "Whoever has done this should be skinned alive," he told Currie. He spent the day in the country, and on Sunday he went out to run errands. When he got home, there was a message on his answering machine: "Watson, this is Richard Jewell. You may have heard that I found the bomb and people are calling me a hero. Somebody told me I might get a book contract." It had been years since Bryant had spoken to Jewell, but he did not immediately return the call; he was busy finishing up some contracts so that he could take a few days off to enjoy the Olympics. In addition, Bryant was annoyed with Jewell. After Bryant had befriended him in their days at the Small Business Administration, Jewell had borrowed his new, $250 radar detector and never returned it. He had promised to pay him $100 for it, but he never had. In the meantime, Bryant's life had changed; he had set up an office as a solo practitioner. Bryant despised corporate politics and had no gift for them. His penchant for taking on pro-bono work for friends annoyed his wife, however. Bryant believed that Richard Jewell had attached himself to him years earlier because he lacked a father, but nevertheless Jewell could get on his nerves. By the summer of 1996, Bryant was preoccupied; his marriage had come apart two years earlier, and he was trying to sort out his life. When he finally returned Jewell's phone call, he said, "Well, damn it, where's my $100?" Jewell laughed uneasily and told him about discovering the green backpack that contained the bomb. "Didn't you see me on the news?" Bryant reminded him that he rarely watched TV. "I am proud of you, Richard," he said. "About this book contract, I think it's far-fetched, but don't sign anything unless I see it first." In the Newsweek cover story detailing the bombing, published Monday, July 29, there was no mention of Richard Jewell. It said only that "a security guard" had alerted Tom Davis of the G.B.I. that no one had claimed the backpack under his bench. By the time Newsweek was on the stands, however, Jewell had been interviewed on CNN. The AT&T publicity department had booked him on TV and told him to wear the shirt with the AT&T logo. Jewell reluctantly agreed. "The idea of going on TV made me nervous," he told me. "I was not the hero. There were so many others who saved lives." In Demorest, Ray Cleere, the president of Piedmont College, was home on Saturday, July 27, watching CNN. Cleere had at one time been Mississippi's commissioner of higher education, but he was now posted at the rural Baptist mountain school. He was said to feel that he had suffered a loss of status in the boondocks, where he was out of the academic mainstream. He called Dick Martin, his chief of campus police. Shouldn't they call the F.B.I. and tell them about Richard Jewell? he asked. Cleere had had a strong disagreement with Jewell when one of the students was caught smoking pot. Jewell wanted to arrest him; Cleere said no. Cleere, Brad Mattear recalled, "worried constantly about the image of the college." According to Mattear, "Cleere loved the limelight. He wanted public attention"—the very trait he reportedly ascribed to Richard Jewell. Dick Martin, who was fond of Jewell, suggested a compromise, according to Lin Wood: he would call a friend in the G.B.I. Cleere then called the F.B.I. hot line in Washington himself. Wood says Cleere later complained that no one had seemed to want to listen to what he had to say about Richard Jewell. But his telephone call would trigger a complex set of circumstances in Habersham County, where F.B.I. investigators fanned out over the hills, attempting to uncover evidence that could lead to Jewell's arrest. "The F.B.I. took his word, and what it actually did was get them both in a bunch of trouble," Mattear said. (Cleere has declined to comment.) For Richard Jewell, Tuesday, July 30, would become a haze in which his life was turned upside down. "The hours of the day ran so fast it is hard to remember what all happened," he told me. He started the day early at the Atlanta studio of the Today show. He was tired; the evening before he had had his friend Tim Attaway, a G.B.I. agent, for dinner. He had made lasagna and had drawn Attaway a diagram of the sound-and-light tower. Jewell had talked into the night about the bombing; only later would he learn that Attaway was wearing a wire. Despite the late evening, Jewell was excited at the thought of meeting Katie Couric and being interviewed about finding the Alice pack in the park. His mother asked him to try to get Tom Brokaw's autograph. "He was a man my mom respected a great deal," he said. When he got back to the apartment, he was surprised to see a cluster of reporters in the parking lot. "Do you think you are a suspect?" one asked. Jewell laughed. "I know they'll investigate anyone who was at the park that night," he said. "That includes you-all too." Jewell did not turn on the TV, but he noticed that the group outside the door continued to grow. At four that afternoon, Jewell received a phone call from Anthony Davis, the head of the security company Jewell worked for at AT&T. "Have you seen the news?" Davis asked. "They are saying you are a suspect." Jewell said, "They are talking to everybody." According to Jewell, Davis said, "They are zeroing in on you. To keep the publicity down, don't go to work." Within minutes, Don Johnson and Diader Rosario knocked on Jewell's door. They exuded sincerity, Jewell recalled. "They told me they wanted me to come with them to headquarters to help them make a training film to be used at Quantico," he said. Johnson played to Jewell's pride. Despite the reporters in the parking lot and the call from Anthony Davis, Jewell had no doubt that they were telling the truth. He drove the short distance to F.B.I. headquarters in Buckhead in his own truck, but he noticed that four cars were following him. "The press is on us," Jewell told Johnson when they arrived. "No, those are our guys," Johnson told him. This tactic would continue through the next 88 days and be severely criticized: Why would you have an armada of surveillance vehicles stacked up on a suspected bomber? It was then that Jewell started to wonder why he was at the F.B.I., but he followed Johnson and Rosario inside. Rosario was known for his skills as a negotiator; he had once helped calm a riot of Cuban prisoners in Atlanta. Johnson, however, had a reputation for overreaching. In Albany, New York, in 1987, he had pursued an investigation of then mayor Thomas Whalen. According to Whalen, the local U.S. attorney found no evidence to support Johnson's assertions and issued a letter to Whalen exonerating him completely, but Whalen believed it cost him an appointment as a federal judge. As Jewell sat in a small office, he wondered why the cameraman recording the interview was staring at him so intently. After an hour, Johnson was called out of the room. When he returned, he said to Jewell, "Let's pretend that none of this happened. You are going to come in and start over, and by the way, we want you to fill out this waiver of rights." "At that moment a million things were going through my head," Jewell told me. "You don't give anyone a waiver of rights unless they are being investigated. I said, 'I need to contact my attorney,' and then all of a sudden it was an instant change. 'What do you need to contact your attorney for? You didn't do anything. We thought you were a hero. Is there something you want to tell us about?'" Jewell grew increasingly apprehensive and later recalled thinking, These guys think I did this. When the agents took a break, Jewell asked to use the phone. "I called Watson four times. I called his brother. I told his parents that I had to get hold of Watson—it was urgent. I was, like, 'I have to speak to him right now.' What was going on was that Washington was on the phone with Atlanta. The people in Washington were giving them questions." Jewell said he knew this because the videotapes in the cameras were two hours long and "Johnson and Rosario would leave every 30 minutes, like they had to speak on the phone." The O.RR. report, however, would assert that no one at headquarters knew about the videotaping or the training-film ruse. Lying to get a statement out of a suspect is, in fact, not illegal, but clearly Johnson and Rosario were not making decisions on their own. Even the procedure of having a fleet of cars follow a suspect was an intimidation tactic used by the F.B.I. Later, according to Jewell, Johnson and Rosario would both tell him privately that they believed he was innocent, but that the investigation was being run by the "highest levels in Washington." Within the bureau, the belief is that during one of the telephone calls Freeh instructed Johnson and Rosario to read Jewell his Miranda rights. Freeh is said to have learned of Johnson's history from a member of his security detail, who had worked in Atlanta. He told Freeh that "Johnson had a reputation for being obnoxious and a problem." In addition, a week after Jewell's interview, Freeh reportedly received a call from Janet Reno, who had learned about the ruse from Kent Alexander, the local U.S. attorney, and Deputy Attorney General Jamie Gorelick. Freeh wondered aloud how it was that, of all the agents in Atlanta, Johnson had been selected to work on the Jewell case. Like Jewell, Johnson had wound up in Atlanta because of his overzealous behavior—according to an F.B.I. source, the Whalen episode had resulted in a "loss-of-effectiveness transfer," an F.B.I. euphemism. (Johnson declined to respond.) On that same Tuesday, Watson Bryant and Nadya Light closed the office early and went to Centennial Park. Light, 35, a pretty Russian immigrant, had never met Radar, Bryant's old friend, and wanted to buy him a celebratory meal. Killing time until Jewell came on duty, they went into the House of Blues and then bought some hot sauce. Walking toward his car, Bryant saw newsboys hawking the afternoon edition of The Atlanta Journal-Constitution. "It was like out of a cartoon. They were all yelling!" he recalled. "I caught the headline out of the corner of my eye." The headline read: FBI SUSPECTS 'HERO' GUARD MAY HAVE PLANTED BOMB. Bryant borrowed 50 cents from Light to buy the paper and began to read: '"Richard Jewell, 33 . . . fits the profile of the lone bomber.' I could not believe it." At that moment, Bryant's brother, Bruce, who was on his way to the diving competition, got a call from Jewell. "Where is Watson?" As Bruce Bryant walked past a Speedo billboard with a TV screen, he saw Richard Jewell's face filling the screen. "Oh, my God," he said to his wife. At the same moment, Watson was in his car a block away on Northside Drive when he too noticed the Speedo screen. He could not get back to his house—the streets were blocked off for the cycling competition. From his car he called F.B.I. headquarters and demanded to speak to Jewell. "He is not here," the operator said. From his home phone, he picked up his messages and heard Jewell's low, urgent tones. "He didn't leave a number," Bryant told Light. "Call Star 69," she said. The number came back: 679-9000, the number for F.B.I. headquarters, which he had just dialed. Within minutes, Bryant had Jewell on the phone. Jewell told him he was making a training film. "You idiot! You are a suspect. Get your ass out of there now!" Bryant told him. Before The Atlanta Journal-Constitution broke the story of Richard Jewell, there had been a debate in the newsroom over whether or not to name him. One block away, CNN's Art Harris and Henry Schuster had alerted the network's president that Jewell was targeted, but they held the story, because they understood its potential magnitude. At The A.J.C., Kathy Scruggs, a police reporter, who had allegedly gotten a tip from a close friend in the F.B.I., got a confirmation from someone in the Atlanta police. According to the managing editor, John Walter, the first edition of the paper that Tuesday had a brief profile of Jewell. It was dropped in later editions as Walter questioned whether the paper had enough facts to support the scoop. Because of the voice-of-God style, the paper ended up making a flat-out statement: "Richard Jewell . . . fits the profile of the lone bomber." When I asked John Walter about the lone-bomber sentence, he said, "I ultimately edited it. . . . One of the tests we put to the material is, is it a verifiable fact?" One editor added, "The whole story is voice-of-God. . . . Because we see this event taking place, the need to attribute it to sources—F.B.I. or law enforcement—is less than if there is no public acknowledgment." John Walter indicated that he had not seen a lone-bomber profile. I asked him, "Whose profile of a lone bomber does Richard Jewell fit? Where is the 'says who' in this sentence?" Walter said that he felt comfortable with the assertion. The page-one story had a double byline: Kathy Scruggs and Ron Martz. Walter had told these two early on that they would be the reporters assigned to any Olympic catastrophe. Martz, who had covered the Gulf War, had been assigned the security beat for the Olympics; Scruggs routinely covered local crime. Scruggs had good contacts in the Atlanta police, and she was tough. She was characterized as "a police groupie" by one former staff member. "Kathy has a hard edge that some people find offensive," one of her editors told me, but he praised her skills. Police reporters are often "dictation pads" for local law enforcement; recently the American Journalism Review sharply criticized The A.J. C. for the scanty confirmation and lack of skepticism in its coverage of Jewell. The newsroom atmosphere resembled that at F.B.I. headquarters; there was a frenzy to be first. Kent Walker, a newsroom intern, published a story in the same edition, with a glaring mistake in the headline: BOMB SUSPECT HAD SOUGHT LIMELIGHT, PRESS INTERVIEWS. Since Ray Cleere's tip to the F.B.I., the "hero bomber" theory had been circulating among Atlanta law enforcement officers. Maria Elena Fernandez, a reporter, was sent to Habersham County on July 29. By coincidence, William Rathburn, the head of security for the Olympics, had been at the Los Angeles Olympics in 1984 when a fake bomb was found on a bus—left by a policeman who sought attention. On the surface, the story had an irresistible newsroom logic: Jewell was clearly looking for recognition. Bert Roughton, the city editor, had answered the telephone when a representative from AT&T called to ask if the paper would like a Jewell interview. According to Walter, Roughton himself typed a sentence in the Scruggs-and-Martz piece: "He [Jewell] also has approached newspapers, including The Atlanta JournalConstitution, seeking publicity for his actions." But he hadn't. Walter explained, "There was nothing wrong with that sentence. That's journalistically proper. It is not common practice, to my knowledge, to ask someone you are interviewing . . . 'Are you here of your own free will?'" Jewell had not contacted the paper—a fact which would have been easy enough to check. Walter became snappish when I described the sentence as "a mistake." "It was not a mistake," he said angrily. Scruggs and Martz quoted Piedmont College president Ray Cleere as backup. According to Cleere, Jewell had been "a little erratic" and "almost too excitable." There was no doubt raised by The A.J.

 3 ) 排片太少也一定要看一看!

年度黑马 比起年底排片和口碑双丰收的 利刃出鞘 这部上映的悄无声息 排片也少得可怜 不是冲着老爷子的名号可能就错过了

同样是真实故事改编 比起萨利 更被这部打动 老爷子实在太擅长讲这类故事了 从人本身出发 挖掘延伸 大概我永远也拒绝不了这类故事 比起Sully Richard身上 更能看到自己的某部分的缩影 容易满足也极易丧气 抱着幻想又不够脚踏实地 守着心里的一点点热忱和善良 还有微不足道的英雄梦想 按部就班 浑浑噩噩的过日子 他代表的不是少数 某一类人 他代表的是 平凡又普通的 大多数

迅速击溃我的部分 在FBI大摇大摆冲进Richard家四处取证 在那句 “警察对警察”后 沃森臭骂Richard开始 那一刻我才惊觉Richard如此善良 从那一part开始 心里开始升腾起巨大的难过 在母亲躲在卫生间哭过后抱着Richard说“怪我没有保护好你” 在发布会母亲极力镇定最终却哽咽着捂脸说求媒体记者放过Richard放过他们一家 在FBI最终审讯后镜头停在门上那个联邦政府的logo 一层一层的难过堆叠起来 即使从进影院前已经知道故事的定版 依然忍不住颤抖

老爷子在这部电影里对故事的表现手法依然 十分克制 全片几乎没有什么激烈的冲突 印象最深的是那个跳切到几乎有些生硬的蒙太奇 像是在刻意将观众的注意力从故事情节里拉出来 三天内两部电影看下来对老爷子的个人风格有了一定的了解 个人风格真的太重要了 能将讲好故事作为毕生追求的人太幸福了 国内多几个这种踏踏实实讲好故事的导演就好了

 4 ) 一个跨文化的解读——“红脖”受难的反讽

仅为和一些友邻交流看法而写。

朱维尔,一个收藏大量枪支的军迷,梦想当抓坏人的警察,生怕大型公共事件出意外而戒备异常,在受到FBI质询的时候依然从自诩“专业”的角度为权力机关辩护,因为“我从小被教育要尊重国家政权”,用网络语言来概括,朱维尔可以说是标准的“红脖”了。

在通常的解读中,电影的关键情节无疑是美女记者色诱FBI高层套取他们怀疑朱维尔的猜测而率先报道扬名立万,通过这一情节及其结果,人们自然会想到记者“第四权力”、媒体利润与国家公权力关系等相关主题。

这些主题当然很有价值,如何评论也见仁见智。但是,从中国的语境来看,却可以得出一个完全出于导演意图之外的解读。

在国内也有这样一大群人,动不动就把“蒸汁影响”“国际观瞻”“被人利用”挂在嘴边,他们本身像朱维尔一样在这个社会上没什么话事权,但却无时无刻不在为国家的高大形象和社会稳定操着心,甚至不惜干涉别人的生活,或者像朱维尔一样“善良地”破坏一下国家的法律。这些人,消极的是套中人,积极的就是朱维尔了。

而在电影中,导演却为我们讲述了一个这样热心维稳的人被他顶礼膜拜的维稳机关怀疑和干涉的故事,让我在看电影的时候阴暗地产生了一种复仇的快感。事后我也思考过为什么我会做出这种偏题的解读,如果一个不知道中国式朱维尔和套中人为何物的人看这个电影,也未必会认同朱维尔的行事风格和立场,可因为导演强势引入“媒体”这一角色而冲淡了人们对朱维尔的评价,从而观众就会去思考别的话题了。

但是,在中国的语境下,除了这个主题,我们还可以去思考个人维稳逻辑与国家维稳逻辑的关系这一主题,因为电影不仅表现了媒体的故事,还表现了国家维稳思路和个人维稳思路互相冲突与否定的故事,而媒体在这一过程中,并没有起到什么作用(如果没有媒体,FBI也会来搜朱维尔的家,也会把他叫去喝茶等等)。

我并不是说朱维尔发现炸弹的行为不是英雄的,从人道主义的角度来看,一个人发现了炸弹,挽救了别人的生命,当然需要表彰。我想说的是,在生活中一个整日眼观八方又疑神疑鬼的人,不能不说是让人讨厌的。特别是在一个苦于有太多太多朱维尔的社会,这能从这样一部电影中读出来讽刺的意味,也算是跨文化交流的案例了吧。

 5 ) 估计编剧花了90%时间写理查德,10%时间写其他人

一. 对理查德的人物描绘很棒 但剧情的全面性让人失望

作为一部由真实事件改编的片子,制作团队确实在刻画当事人的来龙去脉上下了工夫,还算流畅地刻画了一个坚定拥护司法系统的人的信仰逐步破灭的全过程。

但是剧情的全面性有些令人失望。全片除了对理查德的描绘之外,对同样在这个事件中扮演重要角色的媒体和司法的代表人物的刻画过于脸谱化。在为英雄正名的过程中,只有律师全程履行了职责、理查德的妈妈发表了一次公共演讲、理查德自己功过参半;其他人完全没有起到任何帮助作用。

二. Paul和Sam把理查德和律师演活了

理查德是一个很常见的美国小城的善良邻家大胖哥哥的形象。怂怂的“面团宝宝”、正义的使者、规则维护者,都是他,Paul的表演让我对这个人物的冲突性没有任何质疑。美女记者的最好看的一段戏是在发表了爆炸新闻后被全体致敬后的得意和疯癫。不过大多数观众最喜欢的应该会是Sam的痞痞律师吧,表演完全没毛病,如果我会再看一次这个电影的话,八成是因为想重温Sam的戏。

三. 看完觉得一口气憋在胸口 总觉得故事没讲完

没有看嗨。因为直到影片结束,还觉得有什么没有演出来。诚然本片主角是理查德,对于理查德的心理变化和对司法的观点变化的描绘得很详细,但是对司法和媒体这两大影响着“为英雄正名”事件的人物代表选择了基本是纯负面的角度去描绘。

当片子出现了明确的好人和坏人的阵营时,观影的嗨感会下降。

四. 总而言之太脸谱化

对人物的描绘不够丰满,对几个主要角色的处理过于扁平。

反面脸谱化了司法和媒体。让整个片子少了一些真实感。FBI探员和美女记者都使用了典型的坏人光影处理(如FBI探员哄着理查德录爆恐吓语音的典型坏人化光影、美女记者在主编室争取发表爆炸新闻的脸部明暗交叠光影)。

FBI的两个探员一个没有起到啥作用,一个全程在违反规则、跟着感觉走,在大费周章做了调查但没找到任何证据的情况下,依旧认为理查德是凶犯,FBI探员真的只有这个水平吗?(手动摊手表情)

原以为在影片后半部分能帮到理查德的美女记者并没有起到什么作用。只是在现场走了一圈、恍然大悟了一下、跑去酒吧骂了一句FBI探员、在发布会上流了几滴眼泪,然后就没有然后了。

总评:

满分十分的话,我给六分。

加分项:1)对理查德心理变化的描绘 2)演员的表演 3)场景的设置

尤其是对一个坚定拥护司法系统的人的信仰逐步破灭的全过程描绘得很流畅。

减分项:1)脸谱化司法和媒体代表 2)故事展现角度片面(比如:难道声名显赫的FBI真的只会揪着一个没有任何作案证据的人去调查,没有同步调查任何其他人?)

 6 ) 中国CINIMA之哀歌

寒假惊奇地发现老家丽水居然还有Richard Jewell的排片,立马就去看了。 之前只看过东木老爷子的《百万美元宝贝》,对他不甚了解。但单从这部和《百》来看,着实可以看出他的过人之处:不用很多的技巧修饰,利用故事本身来打动观众。在我来看,他是一个具有“内力”的导演;可能也是因为将近耄耋的高龄,他的作品因而显得精准有力。 现实题材与写实主义的风格无疑最大程度体现了他这种“内力”;同时,同等程度地,将演员的演技无限的放大。山姆洛克威尔、乔恩哈姆等人贡献了优秀的表演;保罗沃尔特豪泽(终于不需要演类似于《黑色党徒》《我,托尼娅》里面的胖傻叉了!),本片的男主,堪称完美的人选;而最最让我感动与惊讶的是男主母亲,扮演者凯西贝茨的表演(爆奶今年奥提!)。那段发言的表演过于真实,丝毫没有修饰的痕迹。我看过很多的哭戏,几乎没有一个像这样富有层次与感染力,既内敛同时有张力。就像影片中所说的那样,她的表演完美的诠释了truth而不是fact。 很庆幸能在家乡看了如此动人的新年第一部。可笑的是,家乡当地仅有的三家艺术影院之中,作为丽水地区电影院的“霸主”、本应该引领地区的某两影院,却如同吝啬鬼一般的不给真正的CINIMA一次上映的机会,而给某些辣鸡“视频”(恕我直言)以大量场次。而相比之下一个几乎无人问津的小资影厅,却拥有相当的职业的当担与操守。其实不只是我家乡,全国各地情况都是如此,例如同样加入艺联的著名的某达影院,也几乎没有《朱》与《别》的排片。 我大学不修经济,仅以高中知识,我不是特别清楚这里面供求关系。但我确切地意识到,如果市场只单方面提供娱乐向的“游乐园式”的电影而忽略了这些艺术电影,也行将来的观众们会认为电影只是用来娱乐的,马丁的预言或将实现。我相信这就是艺术电影联盟为艺术电影奋斗的原因,特别是为了中国电影事业的未来。而那部分唯利是图的商人,自以为在经济上为中国电影事业尽一份力,实则可能真的荼毒了万千的观众,断送中国电影的未来。 我看的那个场次,到场的观众寥寥无几;也许都是电影爱好者,出现片尾CAST的时候,许久,大家都没有动弹。在寥寥无几的观众里,我惊讶地发现了两个十多岁的小朋友。在幽暗的影厅里,在他们眼神中,我似乎看到了灼烈的焰火。我没有老到可以感慨岁月流逝白驹过隙、时间的不易,但我看到他们时,我可以说,我看见了电影的某种未来,一种我期待的未来。 有时我会想,这些电影真的就那么“艺术”吗?难道真的就那么无聊、枯燥以至于大家都不想看吗?中国电影票房真的只能靠“话题“流量”来支持吗?我以我亲身体会来看:非也。仅以这部而言,观影的门槛很低,懂电影的人也许能看到更多,不大懂的人也能感受它的魅力。连小孩子都来看,为什么成年人不行呢?更何况最近佳片稀少,《朱》与《别》理应加大排片量。 其实,更重要的,不是供应不足,而是需求不够,是很多人没有做出尝试。横向比较于类似的艺术形式,书的普及应该算是很成功的了。既然书能够做到,为什么电影不能呢?我一直认为电影的商业形式是双向性的,就像没去过海边不知道海有多宽广一样,没多看佳片的人是不知道电影的艺术有多美。我由衷希望未来有更多的人能像从小学习看书、绘画、声乐一样,学会看电影、欣赏电影;把它当做一门艺术,而不是娱乐大众的道具。 以上只是一位初级电影爱好者浅薄的感想。其实自高考以后,我就再也不想写文章了;但是今天今夜,我感受到了信仰的召唤。

 短评

东木是美国导演伊斯特伍德中国影迷在网上的称呼,名字英文直译。近日还知道了“奥利给”,说是网语“给力”的意思。真是要活到老学到老啊!本片是东木导演89岁时新拍的电影,一年一部,部部扎实,可看,今人佩服!再现了1990年代美国一次媒体暴力及FBA的歪曲真相的真实事件,有认识价值。给大我一轮的老导演赞一句:奥利给!

7分钟前
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片场大概是老爷子最好的归宿了吧。

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  • Jsbe
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好莱坞每个导演都在作品里夹带私货,却无一如Eastwood一般润物细无声。

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  • NarvikAustin
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好莱坞叙事教科书。一个镜头不多,紧凑到塞不进片头credit。89岁的老爷子依旧稳健,技法和良心都是业界标杆。我要能活到这个岁数,只求大小便还能自理。second thoughts: 看到了Kathy Scruggs的争议,想来确实有不少MAGA circle jerk的点。相信是人上了年纪politically tone deaf而非本意如此,赶上弹劾大戏开幕的时候上映被解读成辩护川普实属冤枉(要是过几天川普发推"great film #witchhunt"可就太糟了)

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看完之后,你要问问自己,在这个利欲熏心,追名逐利的世界的压迫下,你改变了什么?是像男主角,还是女记者?

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几近满分。东木于二十一世纪这糟糕的第二个十年的尾声发出了自己的最强右翼宣讲。理查德·朱维尔不再是士兵、机长、官员、罪犯,而是一个最普通的人,甚至形象欠佳、背景灰色、生活保守、处事粗糙,东木以此人物为石子,以此事件为弹弓,从最底层射穿了上层建筑的玻璃。保守派维护本能的善意与真情,即使留有被反攻倒算的弱点,也毅然诚恳昂首,坚守真相和尊严。成群结队的媒体与政府调查员,是这个虚假民主先进时代的丑恶嘴脸,带给众生的并非平等博爱,而是群起而攻之的污蔑征缴,东木对他们的态度,是放弃的,这是一个九十岁高龄的斗士所做出的抉择,并在又一个十年新纪元即将开启之际,将这呼声传递给下一代。

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89岁的东木,一如既往的稳健,尤其是对演员出色的控制。主演Paul Walter Hauser如果不是因为本片,估计一辈子都只能在好莱坞演white trash屌丝男的角色了。关于新闻媒体和执法机构在“舆论法庭”里扮演的不光彩的角色,本片在当下的现实意义可以说是不言而喻

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【B】东木是个真正的爱国者,和有怜悯心的人,他总能在被忽视的人群,甚至可以说,被很多人嘲笑,厌恶,鄙夷的一类人身上找到强大的人性,这很令人折服。朱维尔是一曲对“善”最朴素的赞歌,它的单纯让世界的聪明显得愚蠢。不过不知道是不是年纪大了,这部和骡子一样,都有点高开低走,收尾乏力。

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除了Richard本人有一点层次以外,其它角色都非常脸谱化。Clint Eastwood的保守派政治倾向在这部电影里表现得非常明显:右翼好人vs丑恶的政府与媒体。其实最后爆炸的真凶也是极右翼分子,但是影片选择性省略了。金球奖提名这个都不提Queen&Slim和US?摸不着头脑。

29分钟前
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新闻媒体膨胀的时代,作为普通市民我们应该静一静了。

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律师和老妈开新闻发布会女记者落泪 乃 一 大 败 笔

35分钟前
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老爷子依然恐同啊哈哈哈哈哈哈哈

40分钟前
  • eros
  • 推荐

怎么办,越来越喜欢Sam Rockwell

44分钟前
  • kerenfang
  • 推荐

这要不是真实事件改编,最后绝对会反转说男主真的是凶手吧……Sam Rockwell 好迷人哦,眼镜+衬衫的组合绝了,上回《恐袭波士顿》里的Kevin Bacon 也是靠这个组合狙击了我的心!

46分钟前
  • 王大根
  • 推荐

仍然是死硬派的东木头,这个选题太适合老爷子了,又是怼天怼地的故事。被侮辱与被损害的主题,也更容易让观众同情。男主选得特别好,表面看起来憨憨的,却始终坚持着他的人生观。他可能生活上或性格上有很多问题,但是,他努力捍卫着自己的正义。所以最后还是挺热血的,以及,这片骂媒体也是骂得很狠了。最后,山姆·洛克威尔的表演,真是每次都不同,演什么是什么,真厉害。

51分钟前
  • 桃桃林林
  • 推荐

李文亮的哀歌。因为这部电影,事件发生二十多年后,美国人还记得一个拯救了几十人性命的小小保安。再过二十多年,会否有任何载体让中国的下一代记住我们自己的吹哨人

55分钟前
  • 水脉
  • 推荐

如果你成为了案件的嫌疑人,那么你的一举一动都会被人们过度解读。你的一切正常的行为都是你的伪装,你的一切“不正常”的行为在他们眼中都是你的犯罪证据。他们会翻出八百年前的陈年往事,会编造你根本没有做过的事,但事实上他们根本没有证据。他们没有证据,也不是根据证据来查案,而是根据结论来反推证据。因为媒体已经大肆宣传FBI怀疑理查德是罪犯,假如理查德不是罪犯,就会显得FBI办案能力太差,所以FBI不愿向人们承认他们没有证据,一定要逼理查德承认他根本没做过的事。媒体根本不在乎真相,他们只在乎销量和热度。之前跟风说他是英雄,现在又跟风说他是罪犯,甚至直接问他“你的同伙是谁”。不难想象,从今以后警察看见可疑背包都不敢上报,会假装没看到,因为他不想成为第二个理查德。正如彭宇案之后,没人敢去扶摔倒的老人。

60分钟前
  • 朝暮雪
  • 推荐

庆幸自己没能因病请假,只让自己享受了3天的骄傲。庆幸母亲没在世纪公园,却让她经受了88天的爆炸。记者享受同行掌声,忘记用脚步丈量事实真相。探员戴着神圣徽章,在保鲜盒涂上抹不掉的记号。一百美元交换不被权力侵蚀的本心,他是英雄还是嫌犯,是圣人还是暴徒,是舆论的幸存者,还是爆炸的受害人。

1小时前
  • 西楼尘
  • 推荐

东木近几年的电影越来越平、稳,但仍旧能全程牵着人走。理查德·朱维尔看似遇到的是一件层层“偶然”酿就的不幸,却也正是特例中的“必然”,就如同《我叫布莱克》里“鲨鱼与椰子”的难题一样:在一个即便较为成熟的社会系统下,每个“齿轮”做着自己的“份内工作”,在一定几率下就会将好人逼上绝路。有人提到这次东木在塑造人物形象上,无论是FBI还是无良媒体这两条线都较为脸谱化;我却觉得这其实也不是重点,毕竟东木不是肯·洛奇,他还有着他“反英雄式英雄主义”的这条路径,最后理查德·朱维尔眼神里那种“我对这个世界怀有善意并希望得以回报,那是我所甘愿的;但如果误被平庸的恶意所反噬,也不后悔我曾报以善意”也是很重要的。

1小时前
  • 徐若风
  • 推荐

老爷子拍的很轻松,片子很流畅,情绪很到位,看不出一丁点用力的东西,也没什么野心,可能这就是他那个年纪的心态吧,导演工作完成的如此轻松。不过这年头很少有人这么拍,片子整体上很棒,但也找不到什么记忆点。这个改编没什么特别之处,对于生活在高墙内的人来说,自己正水深火热呢,谁在乎美国人在折腾些什么鬼,美国大众自己都不关心。这样的改编中规中矩,但人物的脸谱化和功能性也略重,编剧在中间安排那个女记者抹眼泪就很不幸地说明了这个问题。

1小时前
  • 亵渎电影
  • 还行

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