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更新时间：2023-08-12 23:28
详细剧情
乔（尼克·罗宾逊暂无内容Nick暂无内容Robinson暂无内容饰）的母亲在他很小的时候就离开了他，现如今，他和父亲弗兰克（尼克·奥弗曼暂无内容Nick暂无内容Offerman暂无内容饰）过着相依为命的日子。弗兰克是一个非常独断专行的男人，控制欲极强的他无时不刻的想要控制乔生活里的方方面面。和乔境遇相同的还有帕特里克（加布里埃尔·巴索暂无内容Gabriel暂无内容Basso暂无内容饰），他也因为家人们的过度关注而感到窒息。
长篇影评
1 ) 梦想中独立自由的森林树屋
你离家出走过吗？ 我沒有。我恋家。但是年少时期的我，心里有座森林，森林里有清幽小湖，湖畔有我的树屋。遗世独立如生活哲学家梭罗在湖滨，自由自在如顽童哈克在河畔！
非常喜欢这部小品，不需严谨故事结构，不需深刻人生道理，只要一分单纯的：年少时对浪漫、自由、冒险、独立的向往！而这向往在心中如晨光、如微风、如诗歌、如轻快敲打的节奏、如跳动灵巧的舞步。這些都是生命中最纯粹的快乐！
非常喜欢这部小品，不需严谨故事结构，不需深刻人生道理，只要一分单纯的：年少时对浪漫、自由、冒险、独立的向往！而这向往在心中如晨光、如微风、如诗歌、如轻快敲打的节奏、如跳动灵巧的舞步。這些都是生命中最纯粹的快乐！
2 ) 回歸自然~Why live when you can rule
好久沒看到這麽好的電影了~
最近看太多日劇。。。11集每次都看一半就SAY BYE BYE..真覺得浪費時間。。
廢話不說。。。
我祇是覺得隨大流走的時候往往我們會容易忽視掉岸邊獨一無二迷人的石子。。這部電影就是那些在陽光下閃爍的石子~~~
電影的第二主旨恰巧也說的是這點，雖然表面上好像主要是在說幾個15歲的青少年因爲叛逆而離家出走，但更多的有蘊含，現代人想逃離現實，回到原始與自然共存自給自足的生活方式的意思。。。
雖然我們都知道能夠逃避祇是短暫的，電影似乎平淡但卻沒有一點多餘的内容。。簡單直接的表達了這份心意~~~
所以我說看完以後是部讓人感覺很輕鬆的電影~
音樂也配的很完美，再加分~
IMDB也是分數 7.5 tOP 5000
最近看太多日劇。。。11集每次都看一半就SAY BYE BYE..真覺得浪費時間。。
廢話不說。。。
我祇是覺得隨大流走的時候往往我們會容易忽視掉岸邊獨一無二迷人的石子。。這部電影就是那些在陽光下閃爍的石子~~~
電影的第二主旨恰巧也說的是這點，雖然表面上好像主要是在說幾個15歲的青少年因爲叛逆而離家出走，但更多的有蘊含，現代人想逃離現實，回到原始與自然共存自給自足的生活方式的意思。。。
雖然我們都知道能夠逃避祇是短暫的，電影似乎平淡但卻沒有一點多餘的内容。。簡單直接的表達了這份心意~~~
所以我說看完以後是部讓人感覺很輕鬆的電影~
音樂也配的很完美，再加分~
IMDB也是分數 7.5 tOP 5000
3 ) 夏日序曲
近况：对爱情无感/偏好自由 人性
最喜欢的一段是男主paul的朋友都走了 只有他一个人留在森林里的小屋里 他开始真正过上了森林里的原始生活：打猎 杀生 烹调 与动物共生
这是一个讲述 人与人 人与自然 人与自我的夏日故事（也涉及了少的人与上帝）
Paul和父亲之间的摩擦 Paul和两个朋友中途的分道扬镳，和暗恋女生的误会……到最后所有人的冰释前嫌
Paul从一开始偷偷摸摸去公路旁的超市买鸡吃 第一次打到老鼠？时的惊慌失措 到后来虽然还是怀有愧意的给兔子去皮 抓着老鼠的尾巴盯着看 到最后和蛇和平共处
其实当时和父亲赌气一方面是因为父亲的原因 另一方面也是因为青春期时不断膨胀易燃易怒易爆炸的情绪吧 然而通过这个简单但不平常的经历 与自然相处 与朋友相处 与自我相处 一切都变得圆润了
最后想起以前不记得在哪里看到的话大概意思是 一条路走到黑并不可怕 甚至可敬 因为我们往往在半路就知难而退了
而剧中男主无论是从最初说干就干的执行力还是后来一个人坚守在森林里 都已经是我们常人无法企及的了
4 ) 自由活泼的青少年
中国小孩13. 14岁的时候已经坐在学校里苦熬作业但是国外的小孩在上大学之前学业的压力担子都不中了，所以充足的时间精力去做自己真正喜欢的事想做的事，13.14岁的小孩完全有能力做这样的事，他们的内心世界得到释放，天性得到释放而且又能拓展友谊，非常好，这样的电影非常绿色，活泼青春，挺适合青少年看的
5 ) 自由活泼的青少年
中国小孩13. 14岁的时候已经坐在学校里苦熬作业但是国外的小孩在上大学之前学业的压力担子都不中了，所以充足的时间精力去做自己真正喜欢的事想做的事，13.14岁的小孩完全有能力做这样的事，他们的内心世界得到释放，天性得到释放而且又能拓展友谊，非常好，这样的电影非常绿色，活泼青春，挺适合青少年看的
6 ) Those little Kings and Queens
After watching 'The Way Way Back', I came across this quirky movie. I was firstly attracted by the name, and then the poster, and then of course the trailer, although i have to admit that it almost got me rethinking whether it is my 'cup of tea', now after watching it, I am so glad that I didn't cross it off on my viewing list.
The story is about a rebellious teenage boy, Joe who can't bear his grumpy and distant old man. Together with his childhood best friend Patrick and a funny looking boy Biaggio, they ran away into the woods, built a house from scratch, and started their own life 'into the wild'.
I really love to watch 'coming-of-age' films because you as an audience can actually witness the physical and psychological change of the main characters, however it is almost impossible to make a 'coming-of-age' film without being criticized as 'cliched'. 'The Kings of Summer' is written, directed, and produced by 'men-boys', and I assume it is precisely a bunch of men/boys they are trying to attract.
I still remember in Harry Potter and the Goblet of Fire, Professor McGonagall told her pupils that "boys are like lions ready to prey; girls are like flowers, gracefully waiting to be awaken'. Well, this film, like I said is about men, made by men and enjoyed by men. I can almost imagine the process of script-writing and production, how much fun they were having.
The film is about 'escaping into the wild and become a man of his own', and it is also about 'girls being bitches destroying male bonding'. Don't get me wrong here. I really enjoyed the film and its vibrant soundtrack and gorgeous cinematography, however it is the underlying philosophy which those film-makers assume would work that I am objecting.
There are a great number of stories about escaping the phony adult world or some unbearable families in which from the child point of view, everything his (normally his because girls escaping into the world are just too unconvincing) parents do triggers more anger within him. The only way to be a man of his own is to run away, into the wild, without taking any responsibilities. To build a tree house (in this case, a real fucking house with basket ball ring, a slide and a mailbox) are the dream-comes-true experience for many men/boys. In the end, it is the gloominess and restrains of the adult world these boys are trying to run away from. This become a dream so deeply buried in their subconscious, and you can often hear them saying 'if I could be a boy again'. And this is also why there are all kinds of movies about a bunch of guys doing ridiculous stuff just trying to reminisce their boyhood.
The film really got me upset when Joe told Patrick, while sipping beer on the hills, "now all we need is a soft hand." It followed by Patrick teasing: "Oh we got Biaggio." It cheaply plays with the sexuality of Biaggio as he once told Joe that he thought he doesn't have a gender and when Biaggio finally 'came out' to Joe that he thought he is 'gay' his definition/symptom of 'gayness' clearly resembles what TB might be diagnosed.
The character of Kelly is the one who really pisses me off. She is, as many films of the same genre, gorgeously blond and beautiful. Her appearance, as many films of the same genre prompts the mental growth of a man. Kelly is not important in this film. She is the object that breaks the bonding between Joe and Patrick. She is the thing that makes Joe hate Patrick while Patrick hate himself for being in love with the girl. We the brothers fight, and when Joe calls her 'bitch', she is helpless and desperately begging for forgiveness. She can't do anything but leave. It is classy!
Overall, it's a wonderfully script and intelligently made film. I highly recommend it! 7/10
The story is about a rebellious teenage boy, Joe who can't bear his grumpy and distant old man. Together with his childhood best friend Patrick and a funny looking boy Biaggio, they ran away into the woods, built a house from scratch, and started their own life 'into the wild'.
I really love to watch 'coming-of-age' films because you as an audience can actually witness the physical and psychological change of the main characters, however it is almost impossible to make a 'coming-of-age' film without being criticized as 'cliched'. 'The Kings of Summer' is written, directed, and produced by 'men-boys', and I assume it is precisely a bunch of men/boys they are trying to attract.
I still remember in Harry Potter and the Goblet of Fire, Professor McGonagall told her pupils that "boys are like lions ready to prey; girls are like flowers, gracefully waiting to be awaken'. Well, this film, like I said is about men, made by men and enjoyed by men. I can almost imagine the process of script-writing and production, how much fun they were having.
The film is about 'escaping into the wild and become a man of his own', and it is also about 'girls being bitches destroying male bonding'. Don't get me wrong here. I really enjoyed the film and its vibrant soundtrack and gorgeous cinematography, however it is the underlying philosophy which those film-makers assume would work that I am objecting.
There are a great number of stories about escaping the phony adult world or some unbearable families in which from the child point of view, everything his (normally his because girls escaping into the world are just too unconvincing) parents do triggers more anger within him. The only way to be a man of his own is to run away, into the wild, without taking any responsibilities. To build a tree house (in this case, a real fucking house with basket ball ring, a slide and a mailbox) are the dream-comes-true experience for many men/boys. In the end, it is the gloominess and restrains of the adult world these boys are trying to run away from. This become a dream so deeply buried in their subconscious, and you can often hear them saying 'if I could be a boy again'. And this is also why there are all kinds of movies about a bunch of guys doing ridiculous stuff just trying to reminisce their boyhood.
The film really got me upset when Joe told Patrick, while sipping beer on the hills, "now all we need is a soft hand." It followed by Patrick teasing: "Oh we got Biaggio." It cheaply plays with the sexuality of Biaggio as he once told Joe that he thought he doesn't have a gender and when Biaggio finally 'came out' to Joe that he thought he is 'gay' his definition/symptom of 'gayness' clearly resembles what TB might be diagnosed.
The character of Kelly is the one who really pisses me off. She is, as many films of the same genre, gorgeously blond and beautiful. Her appearance, as many films of the same genre prompts the mental growth of a man. Kelly is not important in this film. She is the object that breaks the bonding between Joe and Patrick. She is the thing that makes Joe hate Patrick while Patrick hate himself for being in love with the girl. We the brothers fight, and when Joe calls her 'bitch', she is helpless and desperately begging for forgiveness. She can't do anything but leave. It is classy!
Overall, it's a wonderfully script and intelligently made film. I highly recommend it! 7/10
我觉得导演一定有颗长不大的童心，可是这故事也太傻、配乐也太泛滥了吧？而且很多地方完全不讲电影章法，更像一个趣味加长版的MV。总之——海报很梦幻、正太很养眼、树林很安全，就这样！
被海报吸引，被小清新的摄影治愈，被青春的嬉闹和胡茬触动，短短夏日，男孩们成为了自己世界的王，在自己的王国里长大，也在自己的王国里终结。
每个情窦初开的小朋友都想逃离家庭去树林里当一阵子王。剧情走向没有任何意外，几个小主角之外的演员表现也很差。导演的小心思很讨巧，让整部电影透出古灵精怪的趣味。虽然不至于上升到<伴我同行>那种高度，但至少在往上面靠。
这样的一部片子就像炎炎夏日里的一罐泡泡啤，令你心醉神迷又不至于眩晕。三个少年一段疯狂的夏日森林生活，那个木屋如同每段青春时光里的伊甸园，整日浸透着浓郁阳光和茂密树荫。尽管猜到转变会发生在有女生到来的兄弟阋墙，可是少年之间的爱恨就如同这段大好时光一样转瞬即逝，如同烟火，为他们加冕。
期待太高略失望，漂亮的小清新摄影+大量慢镜+各种悦耳配乐，就像MV一样足够赏心悦目，但剧本还是差了点，特别是成人戏拍得很幼稚，倒是把青少年那种冲动自由热血但又不成熟鲁莽自私的一面刻画得很饱满。
好看就好看在至真至纯，故事有些异想天开，但和影片主题和人物的契合点很高，而电影最有力的优点是人物的塑造竟被这几个孩子展现得栩栩如生。男主角小正太阳光帅气又颓废迷离。而青春做的这些荒唐事，在必要的戏剧张力前都那么引人共鸣。一头一尾的鼓点配乐真是神来之笔。
小心思全被猜中了啊，外加那一片无尽的绿色，真的好难抗拒。原声和无处不在的冷幽默大赞。最渴望长大的那个时候，信仰自由，热爱荒野和戏仿的幻想，大人因自己的幼稚而显得幼稚。导演应该也喜欢《伴我同行》。
很喜欢！
主创的目的达到了，想起了初中的时光，虽然片里的木屋要靠三个少年来搭起来貌似可行性不高啊。片子拍的很散文，这个简单的故事靠有识别度的人物撑起来了，意大利小子和主角爹，都算有看点了
不是【伴我同行】那类青少年独立小清新，它的主题在青春期少年和父母的代沟上，还有暧昧的初恋和成长。一个多少会让人产生情感共鸣的青春故事，离开烦人的父母和小伙伴们占山为王自力更生，大自然的美景更摄影尽收眼底，但主题也就停留在这个层面了。★★★
令人拍案的镜头语言，虽然只听懂一半但笑到肚破的笑点，无敌的选角，最触动心灵的是14岁男孩对于冲破生活束缚成为真正男人的渴望，每个细节都能唤醒一段尘封了的青春回忆，那是最好的年龄，也是最坏的年龄，那是拼命想离开的年龄，也是最想回去的年龄，没有宣扬青春，却拍出了最好的青春，好看到想呐喊
一部拍给大人看的青春电影。让人们回味年少时的轻狂不羁与涩涩情动，这才是真正的＂致青春＂，致那份对自由的渴望，致那份得到自由后的迷茫；致那份对友情的珍视，致那份对爱情的向往；一切感情在电影里波澜不惊的流淌，却触人心玄又丝丝入扣。真是万金买高爵，何处买青春！
2.5，有佳句无佳章
弱剧情可惜了这么美的配乐、这么棒的风景、这么帅的演员、这么闲适的夏天！
真小清新片，青春懵懂幼稚那些琐事，剧情弱的大概跟那个年纪一样浑然天成
我操必收碟的节奏啊
又是一个“男孩成长为男人”的青春片，导演喜欢用各种慢镜头展示丛林细节，确实漂亮。没有屎尿屁情节的电影一样可以很幽默，虽然各种人物都很脸谱化，但看见这种全是纯真的青春电影已经让人非常感动。圣丹斯的片子终于开始慢慢上映咯~
如果我住的小镇也有一座森林。让我逃避，容我息。
喜欢不起来 觉得有点扯。。
基调是有了，但还是差些火候。离家出走摆脱禁锢，与最好的朋友一起做主当王，这和我15岁时的想法一模一样。丛林，小溪，跳崖以及大雨，都跟青春一个道理。回归纯真也是回归自然，镜头将其捕捉得刚刚好。配乐很棒，特别是带有8 bit味的那几曲。很喜欢结尾冰释前嫌，友情红灯变绿灯的镜头。